What’s cooler than an FPV drone? An FPV drone with a cinema camera on it! Imagine a RED or even an ALEXA camera on that drone. Does it look impossible? Not for…
Black & White is the new color. Many DPs are trying to implement the artistic and most challenging black and white imagery. In this article, the black and white low budget drama,…
DZOFilm has been developing lenses like cupcakes. This time the focus is on cine-primes. The newly announced VESPID is surrounded by a cine-structure and designed to cover full-frame sensors. The main advantage…
Sky One announced that its award-winning original “Das Boot” season 3, will be shot and delivered in 8K, with the Dolby Atmos soundscape. This unprecedented technological achievement is made possible with the…
Good news for ARRI Mini and AMIRA shooters. Their cameras are now HDE compatible and can be licensed to enable the CODEX High-Density Encoding technology through Device Manager for their ARRIRAW workflows.…
The ALEXA Mini paired with the mighty Cooke Anamorphic/i were the cinematic tools used to enhance the action shots in spy thriller Legacy of Lies, awarding it the blockbuster look (and feel).…
As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…
We’ve collected the data from IndieWire’s cameras survey regarding Sundance 2020 to create cameras charts to explore a tendency and/or inclination toward a specific brand and/or model. Unfortunately, the results are quite…
Here are the cameras and lenses that shot Oscar 2020 Best Picture and Cinematography nominees. Now we have one RED Helium in the list (The Irishman) and a decent presence of film…
We’ve created a camera chart based on the 29 Motion Picture nominees of the 77th Golden Globe Awards. Furthermore, we have built another chart analyzing the segmentation of film vs. digital, which…