Sundance 2020 cameras
Sundance 2020 cameras

The Cameras Behind Sundance 2020: ALEXA Mini, SONY Venice, and RED Helium

2020-01-29
4 mins read

We’ve collected the data from IndieWire’s cameras survey regarding Sundance 2020 to create cameras charts to explore a tendency and/or inclination toward a specific brand and/or model. Unfortunately, the results are quite dull and similar to Sundance 2019. The dominant cameras are ALEXA Mini, SONY Venice, and RED Helium. Scroll down to reveal the chart.

Sundance 2020 - Camera Manufacturers Chart
Sundance 2020 – Camera Manufacturers Chart

Sundance: “Cameras are not crucial factors.”

According to Sundance Film Festival Filmmakers’ Guide, the gear is not the dominant factor. Of course, we all have heard about selected films been shot on iPhones. Nevertheless, when examining the 2019 and 2020 selections, we can notice a clear tendency regarding expensive cinema cameras, as the math doesn’t lie. More than 80% of the films were shot on high-end cinema cameras. The Sundance 2019 and 2020 dominant camera was the ALEXA Mini without any doubt. Take a look at the chart below and try to find there some affordable cinema cameras (Blackmagic, Kinefinity, or even Canon, for instance). Logically, there are high standards regarding imagery that can be achieved only by using those high-end cameras, and that’s acceptable. However, do not claim that the camera isn’t essential. The contrary, choosing your camera for your project, in case you are planning to submit it to Sundance and get into 0.75% selection, is a critical decision in your production. Be aware of that.

Nevertheless, it’s important to emphasize that we’ve created these charts based on the IndieWire survey. This year, the study includes only a small portion of the categories. I believe that in the documentary categories, you should see more inclination toward more affordable cameras (like C300 Mark II, URSA, and so on).

Sundance Film Festival: A Guide for Filmmakers
Sundance Film Festival: A Guide for Filmmakers

The cameras behind Sundance 2020

Take a look at the list below: (Film, director, DP, and cameras). The chart is down below. 

  1. “Blast Beat”- Dir: Esteban Arango, DoP: Ed Wu- Camera: RED HELIUM
  2. “Charm City Kings”- Dir: Angel Manuel Soto, DoP: Katelin Arizmendi- Camera: ALEXA Mini
  3. “Dinner In America”- Dir: Adam Carter Rehmeier, DoP: Jean-Philippe Bernier- Camera: RED Epic-W Helium
  4. “The Evening Hour”- Dir: Braden King, DoP: Declan Quinn- Camera: ALEXA Mini
  5. “Farewell Amor”- Dir: Ekwa Msangi, DoP: Bruce Francis Cole- Camera: ARRI Alexa Mini
  6. “Minari”- Dir: Lee Isaac Chung, DoP: Lachlan Milne- Camera: ALEXA Mini
  7. “Miss Juneteenth”- Dir: Channing Godfrey Peoples, DoP: Daniel Patterson- Camera: ALEXA Mini
  8. “Palm Spring”- Dir: Max Barbakow, DoP: Quyen Tran- Camera: ALEXA Mini
  9. “Save Yourselves!”- Dir: Alex Fischer and Eleanor Wilson, DoP: Matt Clegg- Camera: ALEXA Mini
  10. “Shirley“- Dir: Josephine Decker, DoP: Sturla Brandth Grøvlen- Camera: ALEXA MINI
  11. “Sylvie’s Love”- Dir: Eugene Ashe, DoP: Declan Quinn- Camera: ARRIFLEX 416
  12. “Wander Darkly”- Dir: Tara Miele, DoP: Carolina Costa- Camera: ALEXA Mini
  13. “Zola”- Dir: Janicza Bravo, DoP: Ari Wegner- Camera: ARRI 416
  14. “Dream Horse”- Dir: Euros Lyn, DoP: Erik Alexander Wilson- Camera: ALEXA Mini
  15. “The Father”- Dir: Florian Zeller, DoP: Ben Smithard- Camera: SONY Venice
  16. “Four Good Days”- Dir: Rodrigo Garcia, DoP: Igor Jadue-Lillo- Camera: SONY Venice
  17. “The Glorias”- Dir: Julie Taymor, DoP: Rodrigo Prieto- Camera: SONY Venice
  18. “Herself”- Dir: Phyllida Lloyd, DoP: Tom Comerford- Camera: ALEXA Mini
  19. “Horse Girl”- Dir: Jeff Baena, DoP: Sean McElwee- Camera: SONY Venice
  20. “Kajillionaire”- Dir: Miranda July, DoP: Sebastian Wintero- Camera: ALEXA Mini
  21. “The Last Shift”- Dir: Andrew Cohn, DoP: W. Mott Hupfel III- Camera: SONY Venice
  22. “Lost Girls”- Dir: Liz Garbus, DoP: Igor Martinovic- Camera: SONY Venice
  23. “The Nest”- Dir: Sean Durkin, DoP: Matyas Erdely- Camera: ARRICAM LT
  24. “Promising Young Woman”- Dir: Emerald Fennell, DoP: Benjamin Kracun- Camera: ALEXA Mini
  25. “Sergio”- Dir: Greg Barker, DoP: Adrian Teijido- Camera: RED Helium
  26. “Tesla”- Dir: Michael Almereyda, DoP: Sean Price Williams- Camera: SONY Venice
  27. “Uncle Frank”- Dir: Alan Ball, DoP: Khalid Mohtaseb- Camera: SONY Venice
  28. “Wendy”- Dir: Benh Zeitlin, DoP: Sturla Brandth Grøvlen- Camera: ARRI 416
  29. “Worth”- Dir: Sara Colangelo, DoP: Pepe Avila del Pino- Camera: ALEXA Mini
  30. “Amulet”- Dir: Romola Garai, DoP: Laura Bellingham- Camera: ALEXA Mini and AMIRA
  31. “Bad Hair”- Dir: Justin Simien, DoP: Topher Osborn- Camera: ARRI 416
  32. “Impetigore”- Dir: Joko Anwar, DoP: Ical Tanjung- Camera: ALEXA Mini
  33. “Relic”- Dir: Natalie Erika James, DoP: Charlie Sarroff- Camera: ALEXA SXT & ALEXA Mini
  34. “The Night House”- Dir: David Bruckner, DoP: Elisha Christian- Camera: ALEXA Mini
  35. “The Nowhere Inn”- Dir: Bill Benz, DoP: Minka Farthing-Kohl- Camera: ALEXA Mini & ARRI 416
  36. “Scare Me”- Dir: Josh Ruben, DoP: Brendan H. Banks- Camera: RED Epic-W Helium
  37. “Black Bear”Dir: Lawrence Levine, DoP: Robert Leitzell- Camera: ALEXA Mini
  38. “I Carry You With Me”- Dir: Heidi Ewing, DoP: Juan Pablo Ramírez- Camera: ALEXA Mini & AMIRA
  39. “The Killing of Two Lovers”- Dir: Robert Machoian, DoP: Oscar Ignacio Jiménez- Camera: RED Helium Weapon
  40. “La Leyenda Negra”- Dir: Patrica Delgado, DoP: Matt Maio- Camera: Canon C500 & RED Dragon
  41. “The Mountains Are A Dream That Call To Me”- Dir: Cedric Cheung Lau, DoP: Jake Magee- Camera: ALEXA Mini
  42. “Omniboat”- Dir: Lucas Leyva, DoP: Daniel Fernandez- Camera: ALEXA Classic
  43. “Some Kind of Heaven”- Dir: Lance Oppenheim, DoP: David Bolen- Camera: ALEXA Mini
  44. “Summertime”- Dir: Carlos Lopez Estrada, DoP: John Schmidt- Camera: ALEXA Mini & AMIRA
  45. “Charter”- Dir: Amanda Kernell, DoP: Sophia Olsson- Camera: ALEXA Mini
  46. “Exil”- Dir: Visar Morina, DoP: Matteo Cocco- Camera: ALEXA Mini
  47. “High Tide”- Dir: Verónica Chen, DoP: Fernando Lockett- Camera: ALEXA Mini
  48. “Identifying Features”- Dir: Fernanda Valadez, DoP: Claudia Becerril Bulos- Camera: SONY FS7ii, Alpha A7Sii, Phantom 4 Pro, Inspire 2 + Zenmuse x7
  49. “Jumbo”- Dir: Zoé Wittock, DoP: Thomas Buelens- Camera: ALEXA SXT
  50. “Luxor”- Dir: Zeina Durra, DoP: Zelmira Gainza- Camera: ALEXA Mini
  51. “Possessor”- Dir: Brandon Cronenberg, DoP: Karim Hussain- Camera: ARRI AMIRA
  52. “Summer White”- Dir: Rodrigo Ruiz Patterson, DoP: María Sarasvati Herrera- Camera: ARRI AMIRA & ALEXA MINI
  53. “Surge”- Camera: ALEXA Mini
  54. “This Is Not A Burial, It’s A Resurrection”- Dir: Lemohang Jeremiah Mosese, DoP: Pierre de Villiers C- Camera: SONY Venice
  55. “Yalta, a Night of Forgiveness”- Dir: Massoud Bakhshi, DoP: Julian Atanassov- Camera: ALEXA MINI & ALEXA Plus

Sundance 2020: Camera chart

Explore the Sundance 2020 camera chart below. Credit: Y.M.Cinema Magazine

Sundance 2020 - Camera Chart
Sundance 2020 – Camera Chart

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

1 Comment

  1. […] The leading manufacturers are shown in the table above. Cooke and Panavision dominate the list, together with Angenieux as the ultimate zoom solution for Sundance’s candidates. However, it’s interesting to explore some old and rare gems on the list, like the Canon K-35, vintage Cookes, and more. Check out the complete list below. The data was collected from the IndieWire survey based on the 55 films in the festival’s Dramatic Competition, Premieres, NEXT, and Midnight sections. To learn more about the making of the films from the DP and director points of view, go to IndieWire’s detailed article. In case you are curious about the cameras behind those films, check out our article: The Cameras Behind Sundance 2020: ALEXA Mini, SONY Venice, and RED Helium. […]

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Film cameras are back in the game
Previous Story

The Digital Cinema has Brought the Film Cameras Back in the Game

Sundance Film Festival 2020 - Lens Manufacturers Chart
Next Story

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

Latest from Discuss

Sora: Democratization of Filmmaking

Sora: Democratization of Filmmaking

One of the first creators who used Sora has shared his rare experience with the AI-based text-to-video super powerful platform. It appears that in order to create something, you need much more…
Go toTop

Don't Miss

ARRI Amira and FUJINON Duvo 25-1000 to Broadcast Football Games

ARRI Amira and FUJINON Duvo 25-1000 to Broadcast Football Games

The ARRI Multicam System setup was utilized to broadcast live football games with a cinematic look & feel. These powerful tools included the
Sony Publishes the VENICE 2 Training Crash Course

Sony Publishes the VENICE 2 Training Crash Course

Sony Cine has published a crash course that demonstrates the basic operation of the VENICE 2 CineAlta camera. This 14-minute video titled VENICE