Sony Venice Archives - Y.M.Cinema Magazine

Sony Develops RIALTO 65: VENICE 2 Goes 65mm

by

2026-06-03

News

3 mins read

Sony has announced the development of RIALTO 65, a new 65mm format image sensor block designed to expand the VENICE 2 digital cinema camera system into a much larger imaging platform. The…

The Tools Behind Michael: VENICE 2 and Angénieux Zooms by Cinematographer Dion Beebe

The Tools Behind Michael: Sony VENICE 2 and Angénieux Zooms by Cinematographer Dion Beebe

by

YMCinema

2026-04-26

Educate

3 mins read

The film Michael presents a unique cinematographic challenge. This is not a conventional biopic built around controlled dialogue scenes and carefully staged compositions. It is a film driven by performance, scale, and…

Sony FX6 Just Got a Major Upgrade. It Now Feels a Lot Like VENICE

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YMCinema

2026-03-19

News

6 mins read

Sony has released firmware version 6.00 for the FX6 Cinema Line camera, and this update deserves more attention than a standard feature refresh. What Sony has done here is refine the camera’s…

SXSW 2026 Camera Breakdown: ALEXA 35, VENICE, BMPCC, and iPhone

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YMCinema

2026-03-15

Educate

7 mins read

Every year, the SXSW camera survey conducted by IndieWire offers one of the clearest windows into real-world cinematography decisions. The survey asks directors of photography behind SXSW feature films to disclose the…

Sony Cine Elite Codec: The 16-Bit Engine Behind VENICE and BURANO

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YMCinema

2026-02-23

Educate

2 mins read

Sony has refreshed its X-OCN white paper with Version 2.0, and while the codec itself has not changed, the message behind the update is significant. This elite codec remains the recording backbone…

The Cameras Behind Sundance 2026 Features. Overwhelmingly ARRI Dominated, With Sony VENICE and FX3

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YMCinema

2026-02-04

Discuss

7 mins read

An analysis of Sundance 2026 narrative features reveals a decisive camera trend. ARRI overwhelmingly dominates feature production, led by the ALEXA 35, which appears on 16 films, followed by the ALEXA Mini…

Sony Demonstrates the VENICE 2, BURANO, FX6, and FR7’s New Firmwares at BSC Expo 2026

by

YMCinema

2026-01-28

News

2 mins read

At BSC Expo 2026, Sony is presenting working demonstrations of upcoming firmware updates for VENICE 2, BURANO, FX6, and FR7. The cameras are shown running beta versions of their next major updates,…

The Cinema Cameras That Defined 2025 and the Films That Trusted Them

by

YMCinema

2025-12-29

Educate

5 mins read

Cinema in 2025 delivered a quiet but decisive correction. Instead of pushing technical limits for their own sake, top filmmakers chose tools that reinforced meaning, rhythm, and emotional texture. The most visually…

Sony VENICE Rialto Stereoscopic System: Inside the Camera That Brought Avatar 3 to Life

by

YMCinema

2025-12-28

Educate

4 mins read

When Avatar: Fire and Ash reaches theaters, most viewers will focus on the world of Pandora, not on the camera that captured it. Yet behind that immersive experience sits one of the…

ARRI Signals a New Strategic Direction in Live Cinematic Production

by

YMCinema

2025-12-09

Discuss

7 mins read

The new strategic partnership between ARRI and The HELM looks on paper like a simple integration deal. In practice, it might be one of the most important moves in ARRI’s modern history.…

Sony Venice

Sony Develops RIALTO 65: VENICE 2 Goes 65mm

The Tools Behind Michael: Sony VENICE 2 and Angénieux Zooms by Cinematographer Dion Beebe

Sony FX6 Just Got a Major Upgrade. It Now Feels a Lot Like VENICE

SXSW 2026 Camera Breakdown: ALEXA 35, VENICE, BMPCC, and iPhone

Sony Cine Elite Codec: The 16-Bit Engine Behind VENICE and BURANO

The Cameras Behind Sundance 2026 Features. Overwhelmingly ARRI Dominated, With Sony VENICE and FX3

Sony Demonstrates the VENICE 2, BURANO, FX6, and FR7’s New Firmwares at BSC Expo 2026

The Cinema Cameras That Defined 2025 and the Films That Trusted Them

Sony VENICE Rialto Stereoscopic System: Inside the Camera That Brought Avatar 3 to Life

ARRI Signals a New Strategic Direction in Live Cinematic Production

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