As a part of the “Prototype Day” series held by Dynamic Rentals, which examines prototypes high-end models of cinema cameras and lenses, this time the ARRI 16-32mm T2.8 Signature Zoom was presented.…
In this cool episode by StudioBinder, We’re getting exposed to Roger Deakins’s preferences regarding cinema lenses. To sum it up within a sentence: Primes preferred, clean look (no breathing, no vignetting, and…
We analyzed IndieWire’s survey regarding the cameras and lenses used to shoot more than 50 selected features premiering at Cannes 2021. Cooke leads the way. Angenieux is the second most used optics,…
As the pursuit for ultra-high resolution continues, the prices for those mighty HD cinema cameras (the ARRI ALEXA Classic) drops. That lays the groundwork for being an owner of one of the…
The ASC (American Society of Cinematographers) will hold a two-day, online Master Class from Saturday, July 24th to Sunday, July 25th, focused on the topic of Virtual Production, lighting in a Virtual…
ARRI offers support for junior filmmakers and film students who are seeking for high-end cinema equipment to accomplish their vision. Currently, ARRI has two main programs that offer that support: The Franz…
Have you ever wondered how’s like to edit, grade, and actually work with ARRI footage? ARRI has updated its sample footage library with various formats so you can download footage with different…
Adrift is a 6-minutes one-take short film shot with the FUJINON Premista 19-45mm T2.9. The lens was paired with the ARRI ALEXA Mini LF, on a stabilized gimbal. The execution was pretty…
WW84 (Wonder Woman 1984) is a wonderful movie experience for the whole family. The cinematography is outstanding due to the celluloid imagery (shot on film), the action sequences are solid and entertaining,…
When comparing the data between Oscars 2020 to Oscars 2021, a lot of differences are revealed. The polarity is significant, from cameras (film, digital, and format), to the budget, crew, principal photography,…