ARRI Archives - Page 4 of 20 - Y.M.Cinema Magazine

Dune Part Two: Five Interesting Cinematography Facts

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2024-03-06

Educate

4 mins read

ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…

96th Academy Awards: The Cameras and Lenses

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Yossy Mendelovich

2024-02-01

Educate

2 mins read

Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

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Yossy Mendelovich

2024-01-29

Discuss

5 mins read

The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…

ARRI Introduced 360 EVO: Its Most Advanced Stabilized Remote Head With Payload up to 30Kg

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Yossy Mendelovich

2024-01-24

News

2 mins read

ARRI has announced its most advanced stabilized remote head titled 360 EVO. Building on the success of the SRH-360, the 360 EVO features 360-degree rotation on the roll axis as well as…

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

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Yossy Mendelovich

2024-01-23

News

1 min read

There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…

ARRI Announces TRINITY Live: Hybridization of Gimbal and Steadicam for Cinematic Broadcasting

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Yossy Mendelovich

2024-01-15

News

4 mins read

ARRI has announced the TRINITY Live, which is defined as a new system, that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications…

The Philosophy Behind ARRI Cameras

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Yossy Mendelovich

2023-12-20

Discuss

3 mins read

Filmmaker Patrick Tomasso went to ARRI to ask some challenging questions, to understand the philosophy behind their cameras. We gathered some fascinating insight, but moreover, we understood that it all starts from…

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

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Yossy Mendelovich

2023-12-13

Discuss

2 mins read

How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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Yossy Mendelovich

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

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Yossy Mendelovich

2023-11-03

Educate

2 mins read

Two cool items for Friday: Cinematic Broadcasting, and Karate. ARRI has announced that the AMIRA Live cameras paired with powerful cinema-broadcast lenses (FUJINON 25-1000mm PL Box lens, Canon PL 25-250, and Canon…

ARRI - Page 4

Dune Part Two: Five Interesting Cinematography Facts

96th Academy Awards: The Cameras and Lenses

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

ARRI Introduced 360 EVO: Its Most Advanced Stabilized Remote Head With Payload up to 30Kg

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

ARRI Announces TRINITY Live: Hybridization of Gimbal and Steadicam for Cinematic Broadcasting

The Philosophy Behind ARRI Cameras

Linus Tests the ALEXA 35 Against the Sony FX6 (Not Really…)

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

Three ARRI AMIRA Live Cameras, Fujinon PL Box Lens, and Canon PL 25-250, to Livestream the World Karate Championships

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