The PTZ camera of Sony’s Cinema Line, FR7, has just been approved by Netflix for its Originals 4K productions, as the main camera. This is the first time that Netflix approves a…
Panasonic Connect has just announced a 4K PL-mount “Studio Camera for Live Cinematic Video with Shallow Depth of Field” (as Panasonic defines it). The new camera titled AK-PLV100GSJ 4K is equipped with…
There’re times when it makes no sense to use top-notch cinema cameras. For instance, shooting in an ultra harsh environment like CBS’ Survivor. However, you still want it to look cinematic. In…
There’s a new massive glass by Canon. Two fast cinema zoom lenses for full-frame sensors: CN-E20-50mm T2.4 L F/FP, CN-E45-135mm T2.4 L F/FP, and a giant UHD-DIGISUPER 122 AF (8.2 mm -1,000…
Nerdy stuff warning. NHK has developed an 8K 4x slow-motion camera system that can record continuously at 240 FPS (Frame Per Second), by utilizing a brand new sensor. The camera was developed…
The Fujinon SK35-700mm F2.8-4.8 is a native PL-mount cinema broadcast zoom lens that was invented in order to bring the look of cinema to sports and entertainment live productions. This PL mount…
Due to COVID, the hot jargon (for now) is Remote Cinematography. That means, being able to shoot and broadcast remotely under social distancing restrictions. One of the popular high-end devices to allow…
ARRI found a way to enhance the cinematic look of live streaming by utilizing its cameras capabilities of mixing LUTs during a real-time event. Read how this concept was implemented and premiered…
Japanese channel (NHK) has just started to broadcast in 8K, becoming the first broadcaster in the world to do so. NHK broadcasted Stanley Kubrick’s classic 2001: A Space Odyssey. Seems that the…