cinematic broadcasting Archives - Page 2 of 2

Shooting Sports on ARRI AMIRA and Fujinon 25-300mm Cinema Lens

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2023-02-23

Discuss

2 mins read

According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…

Shooting a Cinematic Commercial on the FUJINON 25-1000mm Box Lens

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Yossy Mendelovich

2023-02-20

Discuss

3 mins read

Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…

Panasonic Announces 5.7K Super 35 ‘Cinematic’ Studio Camera

by

Yossy Mendelovich

2022-10-21

News

3 mins read

Panasonic Connect has just announced a 4K PL-mount “Studio Camera for Live Cinematic Video with Shallow Depth of Field” (as Panasonic defines it). The new camera titled AK-PLV100GSJ 4K is equipped with…

Sony Launches FR7 and Initiates a New Era of Cinema PTZ Cameras

by

Yossy Mendelovich

2022-09-06

News

6 mins read

Sony introduces a cinema PTZ (Pan, Tilt, Zoom) camera. The camera titled FR7 will join the Sony Cinema Line. The FR7 is the world’s first PTZ camera to combine a full-frame image…

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

by

Yossy Mendelovich

2022-03-17

Educate

4 mins read

Here’s a reference for cinematic broadcasting with all its glory. The 2022 Super Bowl Halftime Show was shot with an array of 12 Sony VENICE 6K full-frame cameras that were paired with…

Cinema Lenses: Fujinon – The Premista Zooms, Evolvement of Lens Metadata, and the Crazy SK35-700mm

by

Yossy Mendelovich

2022-02-20

Educate

4 mins read

Here’re the key points and highlights of the Fujinon deck, as part of the DCS (Digital Cinema Society) discussion, about the “Focus On Cine Lenses From the Buyer’s POV”. The presentation demonstrates…

Meet the Fujinon SK35-700mm PL: A 27Kg Lens for Cinematic Broadcasting

by

Yossy Mendelovich

2021-08-03

Educate

2 mins read

The Fujinon SK35-700mm F2.8-4.8 is a native PL-mount cinema broadcast zoom lens that was invented in order to bring the look of cinema to sports and entertainment live productions. This PL mount…

COVID Invented the Cinematic Broadcasting

by

Yossy Mendelovich

2021-04-21

Discuss

3 mins read

Quietly, without notice, under the radar, a new cinematography methodology is being emerged. Broadcasting sports events with large sensor cameras is not new, however, due to COVID, it’s being extensively utilized. Large…

ARRI AMIRA Live: More Details and Prices

by

Yossy Mendelovich

2021-03-05

News

2 mins read

Two days ago, ARRI has announced its new version of the AMIRA camera, titled AMIRA Live. Today, more details and prices revealed. The ARRI AMIRA Live Camera Set costs $31,180 which is…

cinematic broadcasting - Page 2

Shooting Sports on ARRI AMIRA and Fujinon 25-300mm Cinema Lens

Shooting a Cinematic Commercial on the FUJINON 25-1000mm Box Lens

Panasonic Announces 5.7K Super 35 ‘Cinematic’ Studio Camera

Sony Launches FR7 and Initiates a New Era of Cinema PTZ Cameras

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

Cinema Lenses: Fujinon – The Premista Zooms, Evolvement of Lens Metadata, and the Crazy SK35-700mm

Meet the Fujinon SK35-700mm PL: A 27Kg Lens for Cinematic Broadcasting

COVID Invented the Cinematic Broadcasting

ARRI AMIRA Live: More Details and Prices

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