ARRI announces the ALEXA 35 Live – Multicam System, a complete solution for live entertainment productions. The goal is to bring the cinematic 4K ARRI look, unrivaled HDR, and a new level…
The ARRI Multicam System setup was utilized to broadcast live football games with a cinematic look & feel. These powerful tools included the ARRI Amira cameras paired with the mighty FUJINON Duvo…
Once again, a group of 12 Sony VENICE cinema cameras were utilized to bring the cinematic look of feature films to the Super Bowl Halftime Show. Check out the BTS below. 12…
ARRI has announced the TRINITY Live, which is defined as a new system, that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications…
Two cool items for Friday: Cinematic Broadcasting, and Karate. ARRI has announced that the AMIRA Live cameras paired with powerful cinema-broadcast lenses (FUJINON 25-1000mm PL Box lens, Canon PL 25-250, and Canon…
Fujifilm has introduced the FUJINON Duvo HZK24-300mm portable PL mount zoom lens, which is the second lens in its new Duvo Series, which consists of the mighty Duvo 25-1000 cinema box lens.…
Fujifilm today announced the availability of its new flagship FUJINON Duvo HZK25-1000mm F2.8-F5.0 PL Mount Cinema Box Lens (“Duvo 25-1000โ). The lens was designed to deliver extremely high zoom capabilities which are…
Yet again, an item of one of the hottest jargon related to cinematography. The effort invested in making live events more cinematic. This time, Sony introduces the VENICE 4K Live Bundle. The…
According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…
Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…