Once again, a group of 12 Sony VENICE cinema cameras were utilized to bring the cinematic look of feature films to the Super Bowl Halftime Show. Check out the BTS below. 12…
ARRI has announced the TRINITY Live, which is defined as a new system, that offers a lightweight rig with stable communication. The goal is to bring a cinematic aesthetic to broadcast applications…
Two cool items for Friday: Cinematic Broadcasting, and Karate. ARRI has announced that the AMIRA Live cameras paired with powerful cinema-broadcast lenses (FUJINON 25-1000mm PL Box lens, Canon PL 25-250, and Canon…
Fujifilm has introduced the FUJINON Duvo HZK24-300mm portable PL mount zoom lens, which is the second lens in its new Duvo Series, which consists of the mighty Duvo 25-1000 cinema box lens.…
Fujifilm today announced the availability of its new flagship FUJINON Duvo HZK25-1000mm F2.8-F5.0 PL Mount Cinema Box Lens (“Duvo 25-1000”). The lens was designed to deliver extremely high zoom capabilities which are…
Yet again, an item of one of the hottest jargon related to cinematography. The effort invested in making live events more cinematic. This time, Sony introduces the VENICE 4K Live Bundle. The…
According to sports cinematographer, Domenick Satterberg, the best combo for shooting the Super Bowl VII, is his beloved ARRI AMIRA paired with a hell of a cinema glass, which is the Fujinon…
Fujifilm has tried to prove a point here. Using a huge box broadcast lens (FUJINON 25-1000mm PL) to shoot an actual cinematic car commercial. Paired with a high-end large-format cinema camera (Sony…
Panasonic Connect has just announced a 4K PL-mount “Studio Camera for Live Cinematic Video with Shallow Depth of Field” (as Panasonic defines it). The new camera titled AK-PLV100GSJ 4K is equipped with…
Sony introduces a cinema PTZ (Pan, Tilt, Zoom) camera. The camera titled FR7 will join the Sony Cinema Line. The FR7 is the world’s first PTZ camera to combine a full-frame image…