cinematography Archives - Page 4 of 23

Shooting Plates: Multiple Cinema Cameras, or Ultra Wide Lens?

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2022-10-25

Discuss

3 mins read

Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array…

The Underwater Cinematography Behind Avatar 2: 3D Beam Splitter and Nikonos Lenses

by

YMCinema

2022-10-24

Educate

7 mins read

The Avatar 2 has been shot mainly underwater, by utilizing, for the first time, a specific camera tech. Besides the Sony VENICE, the underwater rig was built from a 3D Beam Splitter…

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

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YMCinema

2022-10-17

Educate

6 mins read

In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment.…

Tarantino: “Shooting on Digital is Like Eating a Veggie Burger”

by

YMCinema

2022-10-14

Discuss

2 mins read

Tarantino hates shooting with digital cameras. He’s a true film enthusiast. He believes that film stock is the one and the only format that is deserved to be screened in a movie…

ASC’s First 100 Years Book: Expanded Second Edition Released

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YMCinema

2022-09-30

News

2 mins read

The ASC releases its Expanded Second Edition of “Our First 100 Years” Book. The book includes exceptional historical photos and informative, inspiring stories illustrating the history of cinematography — with an eye…

EXTRACTION 2: Extreme ‘Oner’ Shot on ALEXA Mini LF

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YMCinema

2022-09-29

Educate

2 mins read

Netflix has released the BTS of EXTRACTION 2. This time, Director Sam Hargrave has picked the ARRI ALEXA Mini LF for the intense action shots and intricate ‘oner’ executed in the film.…

Onsemi: “We developed the customized high-end CMOS sensor for ARRI’s ALEXA 35 camera”

by

YMCinema

2022-09-14

News

3 mins read

Onsemi has just released a press release regarding the new sensor of the ARRI ALEXA 35. Onsemi declares that it has developed the new ALEV 4 sensor. Onsemi has been developing these…

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

by

YMCinema

2022-09-13

Educate

7 mins read

Y.M.Cinema Magazine interviewed cinematographer Matt Sakatani Roe who shot the beautiful Netflix drama, Purple Hearts. Matt utilized the two models of the Sony VENICE paired with Cooke S7/i to get that dedicated,…

Atlas Announces the Mercury Series: 1.5x Full-Frame Anamorphic Cinema Lenses

by

YMCinema

2022-09-01

News

5 mins read

Atlas launches the new Mercury series of 1.5x front anamorphic cinema lenses. The Mercury covers full-frame sensors, emphasizes the vintage anamorphic look & feel, and grants golden streak flares. However, the most…

Flying With the ARRIFLEX 235

by

YMCinema

2022-08-31

Educate

2 mins read

Wires, cranes, and one flying ARRIFLEX 235 were very simple tools used to shoot fairly sophisticated sequences of flying actors. Here’re some more details on the awards-winning commercial —Burberry – Open Spaces.…

cinematography - Page 4

Shooting Plates: Multiple Cinema Cameras, or Ultra Wide Lens?

The Underwater Cinematography Behind Avatar 2: 3D Beam Splitter and Nikonos Lenses

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

Tarantino: “Shooting on Digital is Like Eating a Veggie Burger”

ASC’s First 100 Years Book: Expanded Second Edition Released

EXTRACTION 2: Extreme ‘Oner’ Shot on ALEXA Mini LF

Onsemi: “We developed the customized high-end CMOS sensor for ARRI’s ALEXA 35 camera”

Netflix’s Purple Hearts: Shot by Matt Sakatani on the Sony VENICE (1&2) Paired With Cooke S7/i

Atlas Announces the Mercury Series: 1.5x Full-Frame Anamorphic Cinema Lenses

Flying With the ARRIFLEX 235

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