cinematography Archives - Page 3 of 23

Watch: RED Komodo Monochrome Footage

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2023-04-10

Educate

2 mins read

RED has introduced the new Monochrome version of its Komodo action camera (aka “little beast”). Now, some footage has been released, and it looks gorgeous. Check it out below. RED Komodo Monochrome…

Panavision Super-Fast (T1.4) VA Large-Format Prime Prototype Lens Spotted

by

YMCinema

2023-02-13

News

2 mins read

Panavision is trying a new super-fast (T1.4) large-format prime lens. This prototype has been tested on several productions. The new lens is named for the street Panavision Woodland Hills is on “Variel…

Cinematographer Steve Yedlin Talks About Camera Movement and Lens Flares

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YMCinema

2023-02-09

Discuss

4 mins read

The acclaimed cinematographer, Steve Yedlin ASC, sat with Zeiss to discuss the cinematography behind the beautiful film Glass Onion: A Knives Out Mystery. Read below what Yedlin had to say about camera…

IMAX CEO: “The New Cameras Will Capture Better Images”

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YMCinema

2023-02-02

News

2 mins read

In an interview held by Forbes India, IMAX CEO – Richard Gelfond elaborated on the company’s new and forthcoming technologies, including the anticipated new cameras. According to Gelfond, the new cameras will…

2022: The Year of the Sony VENICE

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YMCinema

2022-12-27

Discuss

2 mins read

If we can define the Camera of the Year, then the Sony VENICE would be a very solid candidate. This camera shot the top-grossing movies of 2022, which are: Top Gun: Maverick,…

Lost Bullet 2: If John Wick and F&F Made a Collab – Shot on RED Monstro 8K

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YMCinema

2022-12-16

Educate

3 mins read

Have you seen Netflix’s new high-octane, action-packed thriller Lost Bullet 2? If not —Go see it! It’s one of the best action movies Netflix has ever released. Large format goodness — Shot…

Mandy Walker ASC ACS: The First Female Cinematographer to Win AACTA Best Cinematography Award

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YMCinema

2022-12-09

News

2 mins read

Mandy Walker AM ASC ACS became the first woman in history to take home the AACTA (Australian Academy of Cinema and Television Arts) Best Cinematography award for her work on “ELVIS”. Now…

Why Super 35? RED Digital Cinema Answers

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YMCinema

2022-11-23

News

2 mins read

RED Digital Cinema is officially shipping its new Limited-Edition V-Raptor RHINO 8K S35 camera on its online store. In an email sent to followers, RED explains why S35 (Super 35) is an…

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

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YMCinema

2022-11-10

Educate

2 mins read

Netflix’s masterpiece, Athena, was shot mainly on the ARRI ALEXA 65 by cinematographer Matias Boucard AFC. Boucard utilized this extra-large sensor to enhance motion and storytelling in long takes, and within extreme…

Cooke Completes its Varotal/i FF Zoom Range With New Wide 19-40mm Lens

by

YMCinema

2022-11-04

News

3 mins read

Cooke Optics has introduced the 19-40mm wide zoom in its Varotal/i FF range, which joins the 30-95mm medium and 85-215mm long zooms that were launched at the end of 2021. The 19-40mm…

cinematography - Page 3

Watch: RED Komodo Monochrome Footage

Panavision Super-Fast (T1.4) VA Large-Format Prime Prototype Lens Spotted

Cinematographer Steve Yedlin Talks About Camera Movement and Lens Flares

IMAX CEO: “The New Cameras Will Capture Better Images”

2022: The Year of the Sony VENICE

Lost Bullet 2: If John Wick and F&F Made a Collab – Shot on RED Monstro 8K

Mandy Walker ASC ACS: The First Female Cinematographer to Win AACTA Best Cinematography Award

Why Super 35? RED Digital Cinema Answers

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

Cooke Completes its Varotal/i FF Zoom Range With New Wide 19-40mm Lens

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