ZEISS is adding new focal lengths to its Supreme Prime family: 18 mm T1.5, 40 mm T1.5, and 200 mm T2.2 which are high-speed, full-frame prime lenses that extend the Supreme Prime…
The brand new Canon EOS R5 is definitely a pretty impressive piece of filmmaking technology. This small beast is armed with a new advanced full-frame 8K sensor that can shoot 12-bit RAW…
Sony expands its G-Master elite family with a constant F2.8 zoom glass. The Sony FE 12-24mm f/2.8 GM is the eleventh G-Master lens and offers a solution for those who seek the…
Today Irix premieres its fast, filter-ready wide-angle cine lens, the Irix Cine 15mm T2.6. This 15mm is a new member of the Irix’s affordable cinema lenses family which now includes an 11mm…
The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…
Atomos and Z CAM have announced the development of ProRes RAW recording over HDMI from the Z CAM E2 cinema camera to the Ninja V 5” HDR monitor-recorder. The Ninja V will…
The EOS R5 which is Canon’s new flagship full-frame mirrorless camera is currently still in the development phase. However, there are several confirmed rumors so the specs can be locked down, like…
Canon has announced its new DSLR flagship. The Canon 1D X Mark III is the newest most robust and filmmaking focused DSLR ever made. Would it be good enough for professional filmmakers?…
We dug the net to find some evidence for C500 Mark II footage. There are not many. However, we find some sample videos and one commercial shot on this new large-format cinema…
From 2011 (C300) till last week (C500 Mark II). Canon has earned some decent experience (and history) on manufacturing cinema cameras. Many of them were successful in penetrating the professional cinema market,…