Today, Tokina has introduced the newest member of its Cinema Vista Prime family, the 40mm T1.5. This popular focal length is being requested for a while by filmmakers. As expected from a…
Spirit Lab has announced its new Zoom 70-300mm T3.2 full-frame cinema lens. This beast covers an image circle of up to 50 mm and characterized by its zero breathing and distortion capabilities.…
DZOFilm has been developing lenses like cupcakes. This time the focus is on cine-primes. The newly announced VESPID is surrounded by a cine-structure and designed to cover full-frame sensors. The main advantage…
Canon has introduced its compact RF Cinema Camera, which can be defined and explained as a hybrid product between EOS R5 and Canon C300 Mark III. The C70 is a Super 35…
What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…
The anticipated Alpha a7S III is going to be Sony’s sane answer to today’s crazy race for maximum specs and resolution. The rumors indicate a solid camera body, average resolution, smart media,…
The brand new Nikon Z 5 allows filmmakers to enter the full-frame imagery world without breaking the bank. The camera offers very basic 4K video capabilities at a reasonable price. Is this…
ZEISS is adding new focal lengths to its Supreme Prime family: 18 mm T1.5, 40 mm T1.5, and 200 mm T2.2 which are high-speed, full-frame prime lenses that extend the Supreme Prime…
The brand new Canon EOS R5 is definitely a pretty impressive piece of filmmaking technology. This small beast is armed with a new advanced full-frame 8K sensor that can shoot 12-bit RAW…
Sony expands its G-Master elite family with a constant F2.8 zoom glass. The Sony FE 12-24mm f/2.8 GM is the eleventh G-Master lens and offers a solution for those who seek the…