The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…
Director Raafi Rivero gives us an inside look at his project, which is the first narrative short film shot on Kinefinity’s flagship. Has the MAVO LF got what it takes to be…
The new primes in the family of ZEISS Supreme lenses (135/T1.5 and 21/T1.5) are ready for preorder. The new cinema lenses were presented at NAB. Now the ZEISS Supreme consists of nine…
It’s always great to explore new Hollywood movie that was shot on a cheap camera. Cheap in term of money, not in term of image quality. The new Hollywood thriller “The Possession…
On September, Sigma announced the development of three new Sigma cine lenses related to the FF high speed prime lineup: Sigma 28mm T1.5 FF, Sigma 40mm T1.5 FF and Sigma 105mm T1.5…
ShareGrid, the camera sharing community, has shot a few tests with the goal of exploring the capabilities of the Canon EOS C700 FF (Full Frame) in regard to sensor size, low light…
ARRI Tech Talk is web-series that is focused on ARRI cameras, workflow, technology, and more cool stuff. The sessions are short, most interesting and yet simple to understand. Take a look at…
Based on a new patent application, it seems that Canon is working on a new mount design. The new mount is similar to the other Canon’s mounts. What’s it for? The patent…