In an industry full of big talk and bigger promises, it’s always refreshing (or sad, depending on your mood) when someone finally admits they couldn’t pull it off. That’s what happened this…
The RED Komodo has been one of the most unique cinema cameras in the market since its release in 2020. Originally positioned as an entry-level RED camera for independent filmmakers and as…
The possibility of ARRI, a giant in the cinema camera industry, venturing into the realm of global shutter sensors by implementing OnSemi’s XGS 45000 CMOS image sensor is both exciting and thought-provoking.…
Sony’s decision to reuse the 50.1MP sensor from the Alpha 1 in its successor, the Alpha 1 II, reflects a deliberate strategy. While at first glance it may seem uninspired, this approach…
Nikon’s recent sensor patent published a few days ago, US20240388815A1, represents an exciting shift for the company. Traditionally reliant on Sony-made sensors for its flagship cameras, such as the Z9 (source), Nikon…
Sony has once again redefined imaging technology with the announcement of a new industrial sensor. While designed for industrial applications, this sensor’s size, just shy of Micro Four Thirds (M4/3), and its…
In between the lines, we can understand that Nikon eagerly wants to develop global shutter cameras. In the recent RED’s CEO statements, Keiji (the new CEO) praises the global shutter technology of…
Pulitzer Prize-winning and New York Times photographer Doug Mills has caught the most insane and famous shot ever – The gun bullet on its way to Donald Trump. This is Sony’s moment…
Director and cinematographer Steven Soderbergh doesn’t care about the camera. He cares more about the story. And indeed, he shot another successful feature (Presence) on a prosumer camera (Sony a9 III). Soderbergh:…
With the introduction of the RED V-Raptor [X] and the Global Vision enabled by the global shutter sensor, RED Digital Cinema might start a race for high-end cameras that are armed with…