IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
The behind-the-scenes of ‘The Creator’ was released, clearly showing the Sony FX3 as the dominant (and only?) camera on set. As demonstrated in the BTS, the advantages of the FX3 were well…
There’s a battle going on. And it’s a battle for credit between totally different cameras: The mighty high-end cinema camera ARRI ALEXA 65 versus the innovative prosumer Cinema LineSony FX3. What’s the…
IMAX has released the trailer of The Creator. This 80,000,000 USD movie was shot by cinematographer Oren Soffer, with the help of DP Greig Fraser, ACS, ASC, on the Sony FX3. This…
There’s technical cinematography debate regarding the camera that shot Dune Part Two. Some shreds of evidence indicate that Dune 2 was shot entirely on IMAX film cameras (Filmed with IMAX), and others…