The behind-the-scenes of ‘The Creator’ was released, clearly showing the Sony FX3 as the dominant (and only?) camera on set. As demonstrated in the BTS, the advantages of the FX3 were well…
Z CAM strikes again. The super affordable cinema camera was utilized (once again) in a mega-budget Hollywood movie, Meg 2: The Trench. Z CAM E2-F6 full-frame boxy camera was attached to an…
IMAX has announced that it has the best month of July at the global box office with $176 million. That is an “Extraordinary Performance of Christopher Nolan’s Oppenheimer”. Hence, IMAX Breaks the…
So we watched Oppenheimer on IMAX Laser. After writing a vast amount of articles dealing with the cinematography aspects of the film, we didn’t imagine how great the sound is. Indeed, the…
In a very educating interview held by American Cinematographer, with ASC associate member and Panavision Senior Vice President of Optical Engineering and Lens Strategy Dan Sasaki, the lens behind Oppenheimer is revealed.…
There’s a battle going on. And it’s a battle for credit between totally different cameras: The mighty high-end cinema camera ARRI ALEXA 65 versus the innovative prosumer Cinema LineSony FX3. What’s the…
Not every director has the privilege of shooting with IMAX film cameras. Furthermore, not every filmmaker/director/cinematographer dares to do unconventional shooting with these huge massive boxes. However, in Oppenheimer, DP Hoyte van…
The acclaimed award-winning VFX company DNEG, which made the VFX shots for Christopher Nolan’s Oppenheimer, sheds strong light on the VFX side of the movie. It appears that Oppenheimer contains more than…
IMAX has released its Q2 2023 Financial Results. In the Q&A session, CEO Richard Gelfond stated that the company is aggressively searching for more opportunities to expand the options of 70mm projection.…
It appears that Oppenheimer was shot on specially modified fast Panavision Sphero and System 65 lenses. Even more interestingly, a dedicated snorkel lens was made for the IMAX cameras, to capture extreme…