IMax Archives - Page 9 of 23 - Y.M.Cinema Magazine

Utilizing Super Large Sensors for Science

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2023-12-05

Discuss

3 mins read

In an article titled “Inside the Tech Creating the Las Vegas Sphere’s Groundbreaking Visuals” by the WSJ, Sphere Entertainment states about its plans to utilize its Big Sky camera for scientific applications,…

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

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YMCinema

2023-11-28

Educate

3 mins read

Good news for 70mm enthusiasts — The anticipated Dune: Part Two will be screened in IMAX 70mm (in selected theaters of course). Say ‘Thank You’ to Nolan’s Oppenheimer. But, it was shot…

“Napoleon” is Another Practical (no CGI) Masterpiece

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YMCinema

2023-11-15

Discuss

3 mins read

It seems that every acclaimed director is trying to do his best to make a ‘practical’ film, that contains low to none of CGI shots. Now it’s the turn of the great…

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

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YMCinema

2023-11-11

Educate

2 mins read

It appears that it’s not so simple to make an 18K film for the Las Vegas Sphere. You can ask Darren Aronofsky, who is the first filmmaker who shot for the Sphere…

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

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YMCinema

2023-11-09

Educate

2 mins read

The Marvels’ final IMAX trailer was released. Captured by Sean Bobbitt BSC with the ALEXA LF, ALEXA Mini LF, and ARRI Rental’s exclusive ALEXA 65 paired with DNA glass. The film includes…

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

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YMCinema

2023-10-27

Educate

4 mins read

Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…

This Is The Sensor of the ‘Big-Sky’ Camera

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YMCinema

2023-10-23

Educate

5 mins read

Do you remember the ‘Big Sky’ camera? That’s the camera that shoots for the Sphere platform in Las Vegas. It’s armed with a huge (9.92 cm × 8.31 cm) 316MP, HDR CMOS…

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

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YMCinema

2023-10-20

Discuss

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

Shooting a Blockbuster With the Sony FX3 - A Rare Inside Look of The Creator’s DITs

Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

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YMCinema

2023-10-06

Educate

7 mins read

In this article, we’re getting a technical deep dive into the preparation of the Sony FX3 for The Creator shoot. Teevarit Pirompapachoke – DIT and data wrangler in the Thailand unit, shares…

IMAX CEO: “We use AI to blowup images”

by

YMCinema

2023-10-02

News

2 mins read

The chief executive officer of IMAX, Richard Gelfond, said at the Bank of America Media, Communications & Entertainment Conference, that the company utilizes AI (Artificial intelligence) in order to “blowup images” that…

IMax - Page 9

Utilizing Super Large Sensors for Science

Dune: Part Two Will be Screened in IMAX 70mm (But Shot Digitally)

“Napoleon” is Another Practical (no CGI) Masterpiece

Shooting a Movie on a Data Rate of 32 Gigabits Per Second

The Marvels: Shot for IMAX on ARRI ALEXA 65, LF, and Mini LF

The Cameras Behind ‘Killers of the Flower Moon’ : ARRICAM (ST & LT), Sony VENICE, and Scorsese’s own 1917 Bell & Howell

This Is The Sensor of the ‘Big-Sky’ Camera

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

Shooting a Blockbuster With the Sony FX3: A Rare Inside Look by The Creator’s DITs

IMAX CEO: “We use AI to blowup images”

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