large format Archives - Page 10 of 11

Roger Deakins Talks About the new ALEXA Mini LF. Picture credit: ARRI

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

by

2019-10-22

Discuss

3 mins read

Roger Deakins CBE, ASC, BSC, is the Director of Photography behind 1917, which is the first film that was shot on the ALEXA Mini LF with the Signature Primes. Read what Deakins…

1917: The First Film That Was Shot on the ARRI ALEXA Mini LF

by

Yossy Mendelovich

2019-10-01

Educate

2 mins read

The upcoming 2019 British-American war film directed by Sam Mendes is the first film that was shot on the newest camera from ARRI: The Mini LF (large format). Take a look at…

ARRI ALEXA Mini LF Update: Scheduled to Ship From September

by

Yossy Mendelovich

2019-07-29

News

3 mins read

ARRI posted an update regarding the development, testing, and shipping status of its new camera, the ALEXA Mini LF. According to ARRI, the final version of the camera is scheduled to be…

Large Format Cinema Cameras: High-level Comparison

by

Yossy Mendelovich

2019-07-18

Compare

1 min read

Our latest articles were focused on the large format glass. We attacked this topic as a result of the growth of sensor sizes, especially in cinema cameras market. Our chart and in-depth…

Kinefinity MAVO LF: Filmmaking Tips for Ideal Execution

by

Yossy Mendelovich

2019-07-16

Educate

6 mins read

UNGDOMARNA is a short and beautiful commercial film shot entirely on the Kinefinity MAVO LF. Filmmaker Benjamin Cotton shares with us his tips, tricks, and thoughts about using this evolutionary and revolutionary…

Large Format Cinema Lenses: Filmmakers’ Chart

by

Yossy Mendelovich

2019-07-04

Compare

1 min read

In continuous to our previous article regarding large-format cinema lenses, we’ve decided to prepare a simplified chart that contains all this useful information. The table is divided into sections per each glass:…

Cinematographer Martin Ruhe and George Clooney on Catch 22 set

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

by

Yossy Mendelovich

2019-06-30

Educate

4 mins read

The ALEXA Mini paired with a set of Cooke S4/i primes were the chosen tools to tell the story of Hulu six-episode new miniseries, Catch-22. Cinematographer Martin Ruhe shares his on-set insights…

Large Format Cinema Lenses Buyer’s Guide

Large Format Cinema Lenses: A Buyer’s Guide

by

Yossy Mendelovich

2019-06-27

Educate

5 mins read

The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…

Kinefinity MAVO LF. Picture by Ralston Smith

First Film Shot on the Kinefinity MAVO LF: There’s Still a Long Way to Go

by

Yossy Mendelovich

2019-06-18

Discuss

3 mins read

Director Raafi Rivero gives us an inside look at his project, which is the first narrative short film shot on Kinefinity’s flagship. Has the MAVO LF got what it takes to be…

The Fujinon Premista 28-100mm and the Sony VENICE - On set

The First Film Shot on Fujinon Premista to be Premiered at Cine Gear

by

Yossy Mendelovich

2019-05-30

Educate

3 mins read

Rhinestone Blue is the first film shot on the Fujinon Premista large format zoom lens. The camera used was the Sony VENICE. DP Tobias Schliessler, ASC, elaborates on his experience about using…

large format - Page 10

Large Format Cinematography: Roger Deakins Talks About the ALEXA Mini LF

1917: The First Film That Was Shot on the ARRI ALEXA Mini LF

ARRI ALEXA Mini LF Update: Scheduled to Ship From September

Large Format Cinema Cameras: High-level Comparison

Kinefinity MAVO LF: Filmmaking Tips for Ideal Execution

Large Format Cinema Lenses: Filmmakers’ Chart

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

Large Format Cinema Lenses: A Buyer’s Guide

First Film Shot on the Kinefinity MAVO LF: There’s Still a Long Way to Go

The First Film Shot on Fujinon Premista to be Premiered at Cine Gear

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