large format Archives - Page 11 of 12

Kinefinity MAVO LF: Filmmaking Tips for Ideal Execution

by

2019-07-16

Educate

6 mins read

UNGDOMARNA is a short and beautiful commercial film shot entirely on the Kinefinity MAVO LF. Filmmaker Benjamin Cotton shares with us his tips, tricks, and thoughts about using this evolutionary and revolutionary…

Large Format Cinema Lenses: Filmmakers’ Chart

by

YMCinema

2019-07-04

Compare

1 min read

In continuous to our previous article regarding large-format cinema lenses, we’ve decided to prepare a simplified chart that contains all this useful information. The table is divided into sections per each glass:…

Cinematographer Martin Ruhe and George Clooney on Catch 22 set

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

by

YMCinema

2019-06-30

Educate

4 mins read

The ALEXA Mini paired with a set of Cooke S4/i primes were the chosen tools to tell the story of Hulu six-episode new miniseries, Catch-22. Cinematographer Martin Ruhe shares his on-set insights…

Large Format Cinema Lenses Buyer’s Guide

Large Format Cinema Lenses: A Buyer’s Guide

by

YMCinema

2019-06-27

Educate

5 mins read

The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…

Kinefinity MAVO LF. Picture by Ralston Smith

First Film Shot on the Kinefinity MAVO LF: There’s Still a Long Way to Go

by

YMCinema

2019-06-18

Discuss

3 mins read

Director Raafi Rivero gives us an inside look at his project, which is the first narrative short film shot on Kinefinity’s flagship. Has the MAVO LF got what it takes to be…

The Fujinon Premista 28-100mm and the Sony VENICE - On set

The First Film Shot on Fujinon Premista to be Premiered at Cine Gear

by

YMCinema

2019-05-30

Educate

3 mins read

Rhinestone Blue is the first film shot on the Fujinon Premista large format zoom lens. The camera used was the Sony VENICE. DP Tobias Schliessler, ASC, elaborates on his experience about using…

The new FUJIFILM GFX100 and the Race for Large Sensors Video Cameras

by

YMCinema

2019-05-26

News

4 mins read

FUJIFILM has introduced its latest camera, the GFX100 which equipped with 102MP 43.8 x 32.9mm CMOS sensor, making it a medium format camera and with a very affordable price. The race for…

MAVO LF Large-Format Cine Camera System at NAB

Kinefinity at NAB 2019: A lot of New Goodies: Higher FPS, First EVF and a 1000 nits 7″ Monitor

by

YMCinema

2019-04-08

News

2 mins read

Kinefinity, the company behind more affordable (but not less professional) cinema camera has announced some great stuff here at NAB 2019: TERRA 4K Higher FPS firmware update, Full-HD OLED Viewfinder, and High-bright…

ALEXA Mini LF Tech Talk: An Educational Video Series by ARRI

by

YMCinema

2019-04-02

Educate

3 mins read

As you may already know, ARRI unveiled its new large sensor camera last week: The ALEXA Mini LF (Large Format). ARRI has also released some useful educational videos which deal with the…

ARRI ALEXA Mini LF Announced, and she’s a Beauty!

by

YMCinema

2019-03-28

News

4 mins read

Everybody predicted this. But still, it was trowed like a bombshell. Why? Because it’s so beautiful and smart camera. It’s only 4.5K, but who needs more. This article is full of gorgeous…

large format - Page 11

Kinefinity MAVO LF: Filmmaking Tips for Ideal Execution

Large Format Cinema Lenses: Filmmakers’ Chart

Cooke S4/i is the Glass Behind the Popular Hulu Miniseries, Catch-22

Large Format Cinema Lenses: A Buyer’s Guide

First Film Shot on the Kinefinity MAVO LF: There’s Still a Long Way to Go

The First Film Shot on Fujinon Premista to be Premiered at Cine Gear

The new FUJIFILM GFX100 and the Race for Large Sensors Video Cameras

Kinefinity at NAB 2019: A lot of New Goodies: Higher FPS, First EVF and a 1000 nits 7″ Monitor

ALEXA Mini LF Tech Talk: An Educational Video Series by ARRI

ARRI ALEXA Mini LF Announced, and she’s a Beauty!

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