The guys at DCS (Digital Cinema Society) have once again held their great lens panel at Cine Gear 2019. This time the group focused on large format cine lenses from the buyer’s…
Director Raafi Rivero gives us an inside look at his project, which is the first narrative short film shot on Kinefinity’s flagship. Has the MAVO LF got what it takes to be…
Rhinestone Blue is the first film shot on the Fujinon Premista large format zoom lens. The camera used was the Sony VENICE. DP Tobias Schliessler, ASC, elaborates on his experience about using…
FUJIFILM has introduced its latest camera, the GFX100 which equipped with 102MP 43.8 x 32.9mm CMOS sensor, making it a medium format camera and with a very affordable price. The race for…
Kinefinity, the company behind more affordable (but not less professional) cinema camera has announced some great stuff here at NAB 2019: TERRA 4K Higher FPS firmware update, Full-HD OLED Viewfinder, and High-bright…
As you may already know, ARRI unveiled its new large sensor camera last week: The ALEXA Mini LF (Large Format). ARRI has also released some useful educational videos which deal with the…
Everybody predicted this. But still, it was trowed like a bombshell. Why? Because it’s so beautiful and smart camera. It’s only 4.5K, but who needs more. This article is full of gorgeous…
No, this is not a new RED’s sensor swap/ upgrade, but an exceptional brilliant experiment that anyone can do at home. The nerdy mind of Nikolas Moldenhauer has invented this. This video…
Cooke Optics announces new anamorphic lenses for large format cameras. The first will be 50 mm, 2.3 T-stop with a 1.8 squeeze. Can’t wait for IBC 2018? read more below! The strong…
With all the respect to DJI’s new drones, there is another major announcement for the filmmakers community – The (very affordable) price of the large format cinema camera. Large format is a…