large format Archives - Page 3 of 11

Oscars 2023: Cameras and Lenses

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2023-02-06

Educate

4 mins read

As usual, we built the charts of the cameras and lenses that were used to shoot the final 95th Academy Awards nominees for Best Picture and Best Cinematography. The results are super…

Oscars 2023: The Cameras Behind Best Picture and Cinematography Predicted Nominees

by

Yossy Mendelovich

2023-01-05

Discuss

3 mins read

As YMCinema’s tradition dictates, it is time for the Oscars’ camera segmentation. We made a list of the cameras that shot the Oscars 2023 (95th Academy Awards) prominent films. That means the…

The RHINO V-Raptor Might be RED’s Gate for Wildlife Filmmaking

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Yossy Mendelovich

2022-11-14

Discuss

2 mins read

Super 35 can be used as a professional synonym for broadcasting and wildlife cinematography. As proof, RED Digital Cinema has called its new S35 8K camera, RHINO. RED wants to simplify the…

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

by

Yossy Mendelovich

2022-11-10

Educate

2 mins read

Netflix’s masterpiece, Athena, was shot mainly on the ARRI ALEXA 65 by cinematographer Matias Boucard AFC. Boucard utilized this extra-large sensor to enhance motion and storytelling in long takes, and within extreme…

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

by

Yossy Mendelovich

2022-08-15

Discuss

3 mins read

IndieWire has published its annual survey regarding the 74th Emmy cinematography nominees. As the tradition calls, Y.M.Cinema Magazine has transformed this data into camera charts, which show us that the Sony VENICE…

Halo Cinematography: Switching Between ARRI Signature to DNA Primes

by

Yossy Mendelovich

2022-07-24

Educate

2 mins read

Karl Walter Lindenlaub ASC sheds very interesting light (literally) on the Paramount Plus series “Halo” which was shot on the LF systems. It appears that the Signature Primes were used for the…

IMAX-ing: The Effort for Ultra-Large-Format Cinematography

by

Yossy Mendelovich

2022-07-14

Discuss

5 mins read

With the end of the pandemic and movie theaters reopening, IMAX makes huge efforts to boost sales. And we as pure moviegoers, love it. Hence, IMAX attacks in several business and strategic…

Panavision Renovates its Website: An Educational Gem for Filmmakers

by

Yossy Mendelovich

2022-06-23

News

2 mins read

Panavision has a new website. And it’s about time. This new website has a lot of useful educational content about Panavision’s cameras, lenses, and services. It’s a truly filmmakers’ educational gem. Check…

RED has Created “Behind-the-lens mitigation” for Raptor’s Stitched Sensor

by

Yossy Mendelovich

2022-04-05

News

3 mins read

RED Digital Cinema has updated the Support page of its V-Raptor regarding artifacts shown due to the stitched sensor. According to RED, the solution is “behind-the-lens mitigation” that can be installed in-camera.…

“Large Format Look”: There’s No Such Thing!

by

Yossy Mendelovich

2022-04-04

Educate

6 mins read

In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field. Factors affected like shallower…

large format - Page 3

Oscars 2023: Cameras and Lenses

Oscars 2023: The Cameras Behind Best Picture and Cinematography Predicted Nominees

The RHINO V-Raptor Might be RED’s Gate for Wildlife Filmmaking

Athena’s Cinematography: Utilizing ALEXA 65 in Complicated Long Takes

The Cameras Behind Emmys 2022: Sony VENICE Goes Head to Head With ARRI Mini

Halo Cinematography: Switching Between ARRI Signature to DNA Primes

IMAX-ing: The Effort for Ultra-Large-Format Cinematography

Panavision Renovates its Website: An Educational Gem for Filmmakers

RED has Created “Behind-the-lens mitigation” for Raptor’s Stitched Sensor

“Large Format Look”: There’s No Such Thing!

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