large format Archives - Page 8 of 11

Fujinon Premista and ZEISS eXtended Data

FUJINON Premista: The First Large Format Zooms to Provide ZEISS eXtended Data

by

2020-12-11

News

2 mins read

FUJIFILM announced the availability of a ZEISS eXtended Data firmware update for the FUJINON Premista Series lenses. The 28-100mm T2.9 and the 80-250mm T2.9-3.5 can now be updated at any Fujifilm Optical…

Roger Deakins interviews Hoyte van Hoytema

Team Deakins Interviews Cinematographer Hoyte van Hoytema

by

Yossy Mendelovich

2020-09-13

Discuss

3 mins read

Here’s another fascinating filmmaking discussion by Team Deakins, this time with acclaimed cinematographer Hoyte van Hoytema, which is known as the cinematographic weapon of choice of Christopher Nolan. The conversation circulates around…

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

by

Yossy Mendelovich

2020-09-03

News

2 mins read

The new Sony FX6 cinema camera will be released and shipped by the end of 2020. The FX6 4K will join the newly announced Cinema Line which includes full-frame cameras like the…

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

by

Yossy Mendelovich

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

The AquaTech REFLEX Water Housing for the Hasselblad X1D II 50C

Ocean Cinematography News: The AquaTech REFLEX and Gates’ Deep Komodo

by

Yossy Mendelovich

2020-07-07

Educate

3 mins read

The AquaTech REFLEX is a new water housing for the Hasselblad X1D II 50C. It’s not a dive housing but it will grant you the privilege of smashing medium-format ocean shots. For…

Medium-format ProRes RAW: FUJIFILM GFX 100 and Atomos Ninja V

Fujifilm GFX100 to Become the First Medium Format Camera That Shoots RAW

by

Yossy Mendelovich

2020-06-30

News

3 mins read

Thanks to Atomos, Fujifilm becomes the fifth major company to announce support for RAW over HDMI. On top of that, the GFX100 is now the first medium format camera that shoots RAW.…

ARRI Releases Signature Prime SUP 2.1

by

Yossy Mendelovich

2020-05-27

News

2 mins read

ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…

DP Steven Holleran with the Canon C300 Mark III. BTS of Boneyard Ballet

The New Canon C300 Mark III is a Super 35 Beast With a lot of Goodies

by

Yossy Mendelovich

2020-04-21

News

3 mins read

Yesterday, Canon unveiled another cinema camera that goes between its great C300 line and the latest C500 Mark II flagship. The C300 Mark III is a super 35 beast with a lot…

ARRIFLEX 765: The Camera Behind “No Time To Die”

by

Yossy Mendelovich

2020-04-05

Educate

2 mins read

Let’s learn a bit about this fascinating 65mm film camera, the ARRIFLEX 765, which was the 2nd unit camera for the latest James Bond movie – “No Time To Die”. Read on. …

Documenting COVID-19 with the Kinefinity MAVO LF: by Philip Bloom

Documenting the Coronavirus on the Kinefinity MAVO LF – by Philip Bloom

by

Yossy Mendelovich

2020-03-29

Discuss

3 mins read

Filmmaker Philip Bloom has decided to document the Coronavirus situation around his hometown in Richmond, London by using his Kinefinity MAVO LF. Besides the exceptional documenting stuff, we’ve earned another great opportunity…

large format - Page 8

FUJINON Premista: The First Large Format Zooms to Provide ZEISS eXtended Data

Team Deakins Interviews Cinematographer Hoyte van Hoytema

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

Ocean Cinematography News: The AquaTech REFLEX and Gates’ Deep Komodo

Fujifilm GFX100 to Become the First Medium Format Camera That Shoots RAW

ARRI Releases Signature Prime SUP 2.1

The New Canon C300 Mark III is a Super 35 Beast With a lot of Goodies

ARRIFLEX 765: The Camera Behind “No Time To Die”

Documenting the Coronavirus on the Kinefinity MAVO LF – by Philip Bloom

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