In this article, we’ve concentrated all known data about the anticipated medium format compact camera, Fujifilm GFX 100S, which is the small sister of the mighty GFX 100. The 100S will be…
Are we already developing some kind of large-format fatigue? It seems that those big sensors have conquered the cinematography world since many productions demand the “large-format look”. However, shooting large format holds…
2021 has started with the official announcement of two new large-format cinema lenses: The FUJINON Premista zoom 19-45mm T2.9 and the Tokina Vista prime 65mm T1.5. Both of them are designed as…
2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…
Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…
Meike is expanding its FF (Full-frame) cine lens family, by announcing a new prime cinema lens for large-format sensors, the 35mm T2.1. This lens joins its big sister, the Meike 50mm T2.1.…
FUJIFILM announced the availability of a ZEISS eXtended Data firmware update for the FUJINON Premista Series lenses. The 28-100mm T2.9 and the 80-250mm T2.9-3.5 can now be updated at any Fujifilm Optical…
Here’s another fascinating filmmaking discussion by Team Deakins, this time with acclaimed cinematographer Hoyte van Hoytema, which is known as the cinematographic weapon of choice of Christopher Nolan. The conversation circulates around…
The new Sony FX6 cinema camera will be released and shipped by the end of 2020. The FX6 4K will join the newly announced Cinema Line which includes full-frame cameras like the…
What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…