large format Archives - Page 8 of 12

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

by

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

The ARRI Mini and ALEXA 65, and their sensors.

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

by

YMCinema

2020-12-23

Compare

2 mins read

Cinematographer Manuel Lübbers has put together a very comprehensive and educational comparison focused on large-format cinematography, by comparing side by side an ARRI Alexa 65, to an Alexa Mini. Are you interested…

Meike Prime 35mm T2.1 Cine Lens for Full Frame Cinema Camera

Full-Frame Cine Prime Lenses For The Masses: Meet the Meike 35mm T2.1

by

YMCinema

2020-12-20

News

2 mins read

Meike is expanding its FF (Full-frame) cine lens family, by announcing a new prime cinema lens for large-format sensors, the 35mm T2.1. This lens joins its big sister, the Meike 50mm T2.1.…

Fujinon Premista and ZEISS eXtended Data

FUJINON Premista: The First Large Format Zooms to Provide ZEISS eXtended Data

by

YMCinema

2020-12-11

News

2 mins read

FUJIFILM announced the availability of a ZEISS eXtended Data firmware update for the FUJINON Premista Series lenses. The 28-100mm T2.9 and the 80-250mm T2.9-3.5 can now be updated at any Fujifilm Optical…

Roger Deakins interviews Hoyte van Hoytema

Team Deakins Interviews Cinematographer Hoyte van Hoytema

by

YMCinema

2020-09-13

Discuss

3 mins read

Here’s another fascinating filmmaking discussion by Team Deakins, this time with acclaimed cinematographer Hoyte van Hoytema, which is known as the cinematographic weapon of choice of Christopher Nolan. The conversation circulates around…

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

by

YMCinema

2020-09-03

News

2 mins read

The new Sony FX6 cinema camera will be released and shipped by the end of 2020. The FX6 4K will join the newly announced Cinema Line which includes full-frame cameras like the…

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

by

YMCinema

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

The AquaTech REFLEX Water Housing for the Hasselblad X1D II 50C

Ocean Cinematography News: The AquaTech REFLEX and Gates’ Deep Komodo

by

YMCinema

2020-07-07

Educate

3 mins read

The AquaTech REFLEX is a new water housing for the Hasselblad X1D II 50C. It’s not a dive housing but it will grant you the privilege of smashing medium-format ocean shots. For…

Medium-format ProRes RAW: FUJIFILM GFX 100 and Atomos Ninja V

Fujifilm GFX100 to Become the First Medium Format Camera That Shoots RAW

by

YMCinema

2020-06-30

News

3 mins read

Thanks to Atomos, Fujifilm becomes the fifth major company to announce support for RAW over HDMI. On top of that, the GFX100 is now the first medium format camera that shoots RAW.…

ARRI Releases Signature Prime SUP 2.1

by

YMCinema

2020-05-27

News

2 mins read

ARRI has released the Signature Prime Software Update Package 2.1, which includes features, like Cooke /i support, automatic image flip for Signature Prime 12/T1.8, and new LDS-2 features for visual effects. Read…

large format - Page 8

2020: The Year of the Large Format Cinematography

Large Format Look Shootout: ARRI Alexa 65 vs. ARRI Alexa Mini

Full-Frame Cine Prime Lenses For The Masses: Meet the Meike 35mm T2.1

FUJINON Premista: The First Large Format Zooms to Provide ZEISS eXtended Data

Team Deakins Interviews Cinematographer Hoyte van Hoytema

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

Ocean Cinematography News: The AquaTech REFLEX and Gates’ Deep Komodo

Fujifilm GFX100 to Become the First Medium Format Camera That Shoots RAW

ARRI Releases Signature Prime SUP 2.1

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