Meike Prime 35mm T2.1 Cine Lens for Full Frame Cinema Camera
Meike Prime 35mm T2.1 Cine Lens for Full Frame Cinema Camera

Full-Frame Cine Prime Lenses For The Masses: Meet the Meike 35mm T2.1

2020-12-20
2 mins read

Meike is expanding its FF (Full-frame) cine lens family, by announcing a new prime cinema lens for large-format sensors, the 35mm T2.1. This lens joins its big sister, the Meike 50mm T2.1. These lenses allow you to purchase a cine-glass that covers full-frame cameras without breaking your bank. Let’s explore it below.

Meike Prime 35mm T2.1 FF cinema lens
Meike Prime 35mm T2.1 FF cinema lens

Meike FF Prime 35mm T2.1:

The Prime 35mm T2.1 is Meike’s second full-frame cine lens which joins the 50mm T2.1. Both the 50mm T2.1 and 35mm T2.1 cover an image circle of 45mm. It is available in either PL, Canon EF, Canon R, Sony E, and Panasonic L mounts. Acceding to Meike, It has industry-standard 0.8mm pitch gears on the focus and aperture ring. The lens design of the Meike 35mm T2.1 FF-Prime consists of fourteen elements in nine groups. The aperture mechanism consists of 11 aperture blades. The minimum focus distance is 33mm. The focus rotation of this lens is 330 degrees, which is quite an impressive capability even for a cinema lens.

The Meike Prime 35mm T2.1 FF Cine
The Meike Prime 35mm T2.1 FF Cine

Camera Compatibility

  • Canon C700
  • Sony VENICE
  • Alexa LF
  • Z Cam E2-F6
  • Mavo LF
  • All full-frame Sony, Panasonic. Canon, Sigma, Leica mirrorless
  • All Super 35/ APS-C sensors

FF Prime 35mm T2.1 highlights:

  • Lens Mount: PL/EF/RF/E/L
  • Min Focal Dist:  33cm
  • Image Circle: 45mm
  • Structure: 14 Elements in 9 Groups    
  • Aperture Range: T2.1-T22
  • Iris Blades: 11    
  • Focus Rotation: 330 Degree 

For sample footage, check out the video below:

Price

The Meike FF Prime 35mm T2.1 price is identical to its 50mm, which is $960. The lens is on pre-sale on Meike’s website. The 50mm can be purchased on the B&H website.

Meike Prime 35mm T2.1 FF Cine
Meike Prime 35mm T2.1 FF Cine

Full-frame Cine-Primes for the masses

As you can figure it out, the price is very affordable. Moreover, according to Meike, those lenses were designed as cinema lenses from scratch, which means there are not rehoused versions of stills. The initial price tag of a cinema FF prime is $5,000. Make sure to read our article that compares the prices of cine-prime sets from various lens manufacturers, from DZOFilm and Rokinon to Leica and Angenieux (Large Format Cinema Lens Sets: A Chart for Filmmakers). The Meike FF Primes’ price tag locates this lens together with other affordable FF cine-primes like the SLR Magic APO MicroPrime Cine, and the DZOFilm VESPID primes.

Check out the slide below which compares your affordable options for full-frame cine-primes:

Affordable Full-Frame Cine-Primes
Affordable Full-Frame Cine-Primes

Final thoughts

It’s nice seeing so many affordable full-frame cine primes announced lately. Those lenses are dedicated to low-budget productions and indie filmmakers that are eager to use their advantages for cinema applications. Furthermore, those lenses produce decent image quality that doesn’t fall behind comparing to high-end cinema lenses. If you’re targeting social media, those cheap lenses might be more than enough for you. Don’t agree with this phrase? Comment below.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

2 Comments

  1. How about the Nisi/Kinefinity Mavo Prime/Nitecore lens sets? They are pretty much the same thing (admitted by people from some of these brands). Didn’t see you mention them. Besides, it seems other Chinese manufacturers are catching up, like Laowa and the sort. Please keep an eye on them and set up a more comprehensive and up-to-date database.

    Thank you so much for your effort.

    • Hi Derek. Thx for commenting. The lenses you’ve mentioned are about twice the price. In this article we’ve decided to focus on lenses with the same price tag as Meike’s new lens, which means around $1,000.
      Thank you!
      Yossy

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Blackmagic Design URSA Mini Pro 12K
Previous Story

Blackmagic URSA Mini Pro 12K Update

Canon Publishes the EOS C70 Cinema Camera White Paper
Next Story

Canon Publishes the EOS C70 White Paper

Latest from News

IMAX New 65mm Film Cameras: All Details

IMAX Next-Gen 65mm Film Cameras: All Details

This was one of the most fascinating sessions during NAB 2024. The lecture titled “The Art and Science of IMAX” sheds light on IMAX filmmaking and the upcoming next-generation of IMAX 65mm film…
Meet Vidu: A Sora Killer?

Meet Vidu: A Sora Killer?

Sora has not publicly launched yet, but its first contender has popped up. Meet Vidu, the Chinese answer to Sora. Vidu is China’s first long-duration, highly consistent, and highly dynamic video model.…
Netflix Starts to Prefer Low-Budget Filmmaking

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it…
Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan to enter strongly into the cinema market. Nikon’s plan…
Go toTop

Don't Miss

DZOFILM Expands PAVO Anamorphic with Macro65mm,135mm,and180mm Lenses

DZOFILM Expands PAVO Anamorphic with Macro65mm,135mm, and 180mm Lenses

DZOFILM introduces three new focal lengths to its PAVO Anamorphic series. Joining the lineup are the Macro 65mm T2.8, 135mm T2.5, and 180mm
Hoyte van Hoytema Talks About Film, Large Format, and Nolan

Hoyte van Hoytema Talks About Film, Large Format, and Nolan

As a part of his press conversation after winning the BAFTA Best Cinematography Award, Oppenheimer DP Hoyte Van Hoytema NSC FSF ASC elaborated