Full frame cinema lenses account for two-thirds market share, says Fact.MR report. The report elaborates on the significant growth of usage of large format glass and adds that the global cinema lenses…
Watching Zack Snyder’s ‘Army of the Dead’ can be intimidating yet intriguing, and not because of the zombies. Everything is blurred and out of focus, and instead of sharp clean images, you’re…
The behind the scenes episode presented by the Netflix Film Club showing the making of ‘Army of the Dead’, reveals the brave cinematography decision by Snyder to shoot the whole movie when…
SIRUI introduces a new member to its affordable anamorphic primes for Super 35 sized sensors. The new anamorphic glass is characterized by a 75mm focal length, f1.8, and 1.33x squeeze ratio. This…
Zenit, the Russian camera brand, unveiled four full-frame and affordable primes for multiple mounts (Sony E, Canon EF, and Nikon F): The Zenitar 50mm f/1.5, 35mm f/2, 58mm f/1.9, and 60mm f/2.8…
Let’s have a look at this outstanding Michel Bay-style Nissan Spot. This high-octane commercial was directed by Jordan Harriman and Kyle Padelford and shot by cinematographer Brook Willard on the Panavision DXL2…
Vazen launches the 50mm T2.1 1.8X anamorphic lens in PL/EF mount for full-frame cameras. The lens is compact and affordable ($8,000), and complements the 85mm T2.8 1.8X which was announced a year…
Atlas Lens has just announced a new anamorphic series titled Orion Silver Edition (SE). In case you prefer a silver monochromatic flare to the classic blue streak, you might be checking out…
SIGMA has announced the mirrorless and improved version of its legendary 35mm Art lens. The 35mm F1.4 DG DN features many goodies packed in a high-quality glass that allow extraordinary imagery within…
In this article we’re trying to connect the dots behind DJI’s new intriguing pictures which emerged recently, showing a gimbal apparatus combined with a camera and lens. Now it’s time to refer…