lenses Archives - Page 15 of 16 - Y.M.Cinema Magazine

Meike introduces (Another) Affordable Full-Frame Cine Lens: The Prime 85mm T2.1

Meike Introduces (Another) Affordable Full-Frame Cine Lens: Prime 85mm T2.1

by

2021-04-11

News

1 min read

Meike has introduced the Prime 85mm T2.1 Cine Lens for full-frame cinema cameras. The lens joins the Meike FF Cine lens family (covers an image circle of 45mm) which now composed of…

Venus Optics Enhances the Cinematic Look of its OOOM

by

Yossy Mendelovich

2021-03-29

News

2 mins read

Venus Optics announces the availability of the 1.33x Rear Anamorphic Adapter and 1.4x Full Frame Expander. Those new products will enhance the cinematic look of its Laowa OOOM 25- 100mm T2.9, and…

The Lenses Behind 93rd Academy Awards Nominees

by

Yossy Mendelovich

2021-03-24

Discuss

3 mins read

In continuation to our camera survey, here’re the lenses that used to shoot Oscar 2021 (93rd Academy Awards) Best Picture and Cinematography nominees. How is it compared to Oscar 2020? Find out…

The lenses behind Sundance Film Festival 2021

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

by

Yossy Mendelovich

2021-02-01

Discuss

3 mins read

These are the lenses that shot 33 narrative feature films premiering at Sundance 2021. Most of the lenses are dedicated to cover Super 35 sensors. The list is characterized by unique pieces…

SIRUI Introduces The Most Affordable Anamorphic Lens Set

by

Yossy Mendelovich

2021-01-06

News

2 mins read

SIRUI, the Chinese lens company, wants to break the market for anamorphic lenses, by introducing its new 24mm F2.8 1.33x anamorphic glass for APS-C sized sensors. Thus, the price for a complete…

Large Format Cinema Lens Sets: A Chart for Filmmakers

by

Yossy Mendelovich

2020-11-26

Educate

1 min read

For the sake of filmmakers’ knowledge, we’ve managed to build a chart that contains selected major full-frame cinema lens sets. From DZOFILM Vespid to Angenieux OPTIMO primes. Download it below. Large format…

Spirit Lab Zoom 70-300mm. Picture: Spirit Lab

Meet the Spirit Lab Zoom 70-300mm T3.2 Full-Frame Cinema Lens

by

Yossy Mendelovich

2020-11-04

News

2 mins read

Spirit Lab has announced its new Zoom 70-300mm T3.2 full-frame cinema lens. This beast covers an image circle of up to 50 mm and characterized by its zero breathing and distortion capabilities.…

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

by

Yossy Mendelovich

2020-08-13

Discuss

2 mins read

After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

by

Yossy Mendelovich

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

Cinema Lenses vs. Still Lenses: It’s Not About the Image Quality Alone

by

Yossy Mendelovich

2019-08-29

Discuss

3 mins read

Cinema lenses are known for their unique design, which is dedicated to filmmaking applications. In this article, we’ll try to clarify the main reasons for choosing those expensive cinema lenses over still…

lenses - Page 15

Meike Introduces (Another) Affordable Full-Frame Cine Lens: Prime 85mm T2.1

Venus Optics Enhances the Cinematic Look of its OOOM

The Lenses Behind 93rd Academy Awards Nominees

The Lenses Behind Sundance 2021: Superspeeds, Panchros and Canon’s Zooms

SIRUI Introduces The Most Affordable Anamorphic Lens Set

Large Format Cinema Lens Sets: A Chart for Filmmakers

Meet the Spirit Lab Zoom 70-300mm T3.2 Full-Frame Cinema Lens

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

Cinema Lenses vs. Still Lenses: It’s Not About the Image Quality Alone

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