Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…
There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…
We like lens flares (as opposed to Roger Deakins 🙂 However, flares can be a negative artifact/side effect on machine vision applications. A White paper titled “Eliminating Stray Light Image Artifacts via…
Zack Snyder‘s space adventure film “Rebel Moon – Part One: A Child of Fire” will be running for one week (Dec. 15-21) in selected 70mm theaters before debuting on Netflix. However, the…
Tokina has announced its new vintage modification for the acclaimed Vista large format glass (introduced 3 years ago). The new lenses titled Vista-P allow reduced contrast and imperfect swirly bokeh rendering. Price…
Extreme cinematographer, Renan Ozturk, has been testing the Sony BURANO on the top of the Empire State Building. This is what he thinks about the BURANO when it comes to sole camera…
Director of Photography Joseph Eriksson shot the short film “The Blank” on Fujifilm’s new flagship, the GFX100 II. This medium format small mirrorless was paired with the mighty Cooke Anamorphic FF+ SF…
DZOFILM has announced the Pavo 2x Anamorphic lenses for Super 35mm sensors. The Pavos have a blue and neutral coating, focal lengths of 28, 32, 40, 55, 75, and 100mm, interchangeable PL/EF…
Angenieux has introduced the EZ-3 45-165mm T2.3 S35 & 68-250mm T3.5 Cinema Zoom Kit. This zoom cinema kit is specialized by an improved IRO TECHNOLOGY mechanism that allows transforming the lens from…
Cooke has just announced the new (and affordable!) SP3 Full Frame Cine Lenses. These lenses match Cooke’s Panchro-inspired lenses with a lightweight and compact design. The SP3 Cinema lenses were aimed to…