RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses
RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

2024-01-23
1 min read

There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was made for the upcoming TRON movie. The question remains: Will the RED Raptor XL be paired with the DNA LF lenses or with the DNA Primes dedicated to the ALEXA 65?

The RED Raptor XL for the ARRI Rental DNA lenses
The RED Raptor XL for the ARRI Rental DNA lenses

“RED❤️ARRI”

As stated by RED Digital Cinema CEO, Jarred Land just two hours ago: “RED❤️ARRI. Excited and truly humbled to share our newest collaboration between RED and ARRI Rentals for TRON and the mighty mighty Jeff Croneweth, together we made a small army of custom RAPTOR XLs made specifically for ARRI’s Incredible DNA glass. Betcha you never saw this one coming 😉”

RED CEO, Jarred Land, at ARRI headquarters.
RED CEO, Jarred Land, at ARRI headquarters.

RED❤️ARRI . Excited and truly humbled to share our newest collaboration between RED and ARRI Rentals for TRON and the mighty mighty Jeff Croneweth, together we made a small army of custom RAPTOR XLs made specifically for ARRI’s Incredible DNA glass. Betcha you never saw this one coming 😉”

RED Digital Cinema CEO – Jarred Land

Will the Raptor XL replace the ARRI 65?

Originally developed for the 65 mm format of ARRI Rental’s exclusive ALEXA 65 camera platform, DNA is a unique concept in lens creation. In essence, it is technology born of relationships: vintage optics rehoused and customized in partnership with filmmakers, to reflect their artistic sensibilities. As emphasized by ARRI Rental regarding the DNA LF glass: “While Prime DNA lenses for the larger ALEXA 65 format can be used on the ALEXA LF, doing so eliminates some of the interesting, imperfect elements at the edges and corners of the image, which filmmakers so revere. It, therefore, makes sense to offer DNA LF lenses purpose-made for the ALEXA LF, featuring a 49 mm image circle that is perfectly matched to the LF sensor” said ARRI Rental when launching the LF version of these lenses back in 2019. Land hasn’t mentioned which DNA will be paired with the custom Raptor XL. As the DNA LF doesn’t need any special customization, and therefore, maybe this TRON Raptor XL will go with the DNA Primes, instead of the ARRI 65? Let’s wait for some BTS.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

2 Comments

  1. Sound like a similar combo Jeff Cronenweth (the DP) used for “Being The Ricardos”, which was the Red Monstro and Arri DNA lenses. Although I’m uncertain which type he used. “Moonfall” also paired the Red Monstro with DNA Lenses – the “LF” range.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

The Cameras Behind Sundance 2024 Documentaries: Sony Wins Canon
Previous Story

The Cameras Behind Sundance 2024 Documentaries: Sony Wins Canon

ARRI Introduced 360 EVO: Its Most Advanced Stabilized Remote Head With Payload up to 30Kg
Next Story

ARRI Introduced 360 EVO: Its Most Advanced Stabilized Remote Head With Payload up to 30Kg

Latest from News

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix Starts to Prefer Low-Budget Filmmaking

Netflix is pivoting to lower-budget filmmaking projects, moving away from the high-octane big-budget action flicks, the New York Times reports. That would be a piece of great news for filmmakers as it…
Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan to enter strongly into the cinema market. Nikon’s plan…
Go toTop

Don't Miss

Nikon Wants to Develop Cinema Lenses

Nikon Wants to Develop Cinema Lenses

RED Digital Cinema CEO Keiji Oishi tells Televisual that Nikon is considering lens development for cinema, as a part of their strategic plan
IMAX CEO: “Joker 2 Will be Screened in IMAX 70mm”

IMAX CEO: “Joker 2 Will be Screened in IMAX 70mm”

Following the success of the mighty 70mm celluloid in Oppenheimer and Dune Part Two, IMAX CEO confirms that Joker 2 (“Joker: Folie à