lenses Archives - Page 7 of 16 - Y.M.Cinema Magazine

‘G-SHOCK Lens’: Meet the Armored GDU RF

by

2022-10-11

Discuss

2 mins read

No, G-SHOCK has not started to make lenses. It’s just an armored version of the Canon’s RF “Nifty 50”, which means a lens without the manual focus ring and switches, but much…

Canon Introduces a new High-End Cinema Lens: CINE-SERVO 15-120mm

by

Yossy Mendelovich

2022-09-07

News

3 mins read

Canon announces a new high-end cinema lens that is dedicated to a range of cinema and broadcast 8K productions. The CINE-SERVO 15-120mm T2.95-3.95 EF/PL supports Super 35mm and Full-Frame sensor cameras (with…

Atlas Announces the Mercury Series: 1.5x Full-Frame Anamorphic Cinema Lenses

by

Yossy Mendelovich

2022-09-01

News

5 mins read

Atlas launches the new Mercury series of 1.5x front anamorphic cinema lenses. The Mercury covers full-frame sensors, emphasizes the vintage anamorphic look & feel, and grants golden streak flares. However, the most…

Viltrox Teases Prime Cine Full Frame 1.33X Anamorphic Lenses

by

Yossy Mendelovich

2022-08-29

News

1 min read

Viltrox has just published a few photos on its Instagram page, showing (teasing) its new affordable anamorphic glass. According to the pictures, that would be a series of Cine Prime Full Frame…

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

by

Yossy Mendelovich

2022-08-25

Educate

3 mins read

In continues to our previous article “Shooting Anamorphic on Vertical Sensor”, this time, cinematographer Michael Della Polla shares with us his ‘vertical anamorphic’ knowledge when shooting with the Z CAM S6 and…

The Main Components of Cinema Camera Rig

by

Yossy Mendelovich

2022-08-18

Educate

3 mins read

Have you wondered why the cinema camera’s rig looks so sexy and intimidating? Luckily, CVP has released a video that explains it all. Read below how main components like camera, monitoring devices,…

Shooting Anamorphic on Vertical Sensor

by

Yossy Mendelovich

2022-08-17

Educate

4 mins read

Vertical anamorphic is a unique and fascinating shooting method, that may grant you stunning results. However, have you considered turning your camera sideway to the anamorphic lens? Well, Berlin-based cinematographer Janis Brod…

Atlas Teases the Mercury Series Anamorphic Lenses

by

Yossy Mendelovich

2022-08-16

News

1 min read

Atlas has shared a teaser regarding its new lens series titled Mercury. The official introduction is set for the beginning of September. Although the teaser is not revealing much, we think we…

Zack Snyder Goes (again) Wide-Open With a Bespoke Summiscope Anamorphic Paired with RED V-Raptor XL

by

Yossy Mendelovich

2022-08-01

News

3 mins read

Yeah, he likes to shoot wide-open, and with a very special glass. Netflix’s Rebel Moon directed (and shot) by Zack Snyder will have a very distinctive look. Zack uses a specially made…

Halo Cinematography: Switching Between ARRI Signature to DNA Primes

by

Yossy Mendelovich

2022-07-24

Educate

2 mins read

Karl Walter Lindenlaub ASC sheds very interesting light (literally) on the Paramount Plus series “Halo” which was shot on the LF systems. It appears that the Signature Primes were used for the…

lenses - Page 7

‘G-SHOCK Lens’: Meet the Armored GDU RF

Canon Introduces a new High-End Cinema Lens: CINE-SERVO 15-120mm

Atlas Announces the Mercury Series: 1.5x Full-Frame Anamorphic Cinema Lenses

Viltrox Teases Prime Cine Full Frame 1.33X Anamorphic Lenses

Vertical Anamorphic With Z CAM S6 and Vazen 1.8X

The Main Components of Cinema Camera Rig

Shooting Anamorphic on Vertical Sensor

Atlas Teases the Mercury Series Anamorphic Lenses

Zack Snyder Goes (again) Wide-Open With a Bespoke Summiscope Anamorphic Paired with RED V-Raptor XL

Halo Cinematography: Switching Between ARRI Signature to DNA Primes

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