Netflix Archives - Page 7 of 8 - Y.M.Cinema Magazine

Panasonic S1H Firmware 2.0 Released but Without the ProRes RAW Feature

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2020-05-27

News

4 mins read

Panasonic has released the firmware update 2.0 to its S1H mirrorless camera. Although this version includes some enhanced video functions, it lacks the major feature which is ProRes RAW recording via the…

The new update for the URSA Mini Pro 4.6K

Blackmagic Design Announces Camera 6.9.3 Update for the URSA Mini Pro 4.6K

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YMCinema

2020-05-26

News

3 mins read

Great news! Blackmagic Design today announced a major new software update for the original Blackmagic URSA Mini Pro 4.6K camera. New features include localization, 3D LUTs options, customizable frame guides, and more…

The Cooke S7i 32mm attached to the Sony Venice Rialto sensor block extension module for a low angle shot inside a freezer

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

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YMCinema

2020-05-18

Discuss

5 mins read

The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…

Director Sam Hargrave on the set of Extraction. Operating the RED Monstro. Picture: Ars Video

“Extraction” Cinematography: 11:29 Minutes of High-Octane Perfectly Stitched Long-Take

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YMCinema

2020-05-06

Discuss

4 mins read

The single-take action sequence (chase scene) in Netflix’s Extraction, lasts exactly 11 minutes and 29 seconds that are built from 36 different stitches (segments). The film director, Sam Hargrave explains how they…

Michael Bay with RED Helium 8K Bayhem on 6 Underground set

6 Underground Cinematography: An Orchestra of Cameras Conducted by Michael Bay

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YMCinema

2020-03-25

Discuss

2 mins read

Netflix’s 6 Underground action sequences were composed of an orchestra of 10 cameras rolling at once. All of that goodness was directed by Michael Bay. You’ll be surprised about the diversity of…

Cannes Film Festival 2020 Postponed Due to Coronavirus Pandemic

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YMCinema

2020-03-21

News

4 mins read

Cannes International Film Festival management team announced that the event would be postponed due to the coronavirus pandemic. The optional new dates are around the end of June-beginning of July 2020. Cannes…

Shooting The Dark Crystal. Cinematographer Erik Wilson. Picture credit: Kevin Baker, Netflix

Netflix’s The Dark Crystal was Shot on Specially Modified RED Cameras With Cooke Anamorphic/i Lenses

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YMCinema

2020-03-12

Educate

4 mins read

In order to get the majestic imagery of Netflix’s Dark Crystal, a unique combination of the Cooke Anamorphic glass with specially made RED Dragon was used. Cinematographer Erik Wilson explains the creation…

Netflix approves C500 Mark II and Sony FX9

Sony FX9 and Canon C500 Mark II Are Now Netflix Approved

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YMCinema

2020-02-04

News

2 mins read

Netflix has approved the PXW-FX9 from Sony and the C500 Mark II by Canon, to join its prestigious Post Technology Alliance. Would they be used by filmmakers to shoot Netflix originals? Two…

Netflix vs. Oscar: Modernization vs. Conservation of Image Capture

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YMCinema

2020-01-22

Discuss

9 mins read

After analyzing the cameras behind Netflix and Oscar’s most rated creations, we definitely can explore an inclination toward DPs’ preferences. But why is that? Let’s discuss this a bit. This is the…

Camera manufacturers behind 43 Best Netflix Original TV Shows of 2019

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

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YMCinema

2020-01-13

Discuss

3 mins read

Based on the Rotten Tomatoes’ critics ratings, we built a list of the 43 best Netflix original TV shows of 2019. Then we analyzed the cameras behind them to try to find…

Netflix - Page 7

Panasonic S1H Firmware 2.0 Released but Without the ProRes RAW Feature

Blackmagic Design Announces Camera 6.9.3 Update for the URSA Mini Pro 4.6K

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

“Extraction” Cinematography: 11:29 Minutes of High-Octane Perfectly Stitched Long-Take

6 Underground Cinematography: An Orchestra of Cameras Conducted by Michael Bay

Cannes Film Festival 2020 Postponed Due to Coronavirus Pandemic

Netflix’s The Dark Crystal was Shot on Specially Modified RED Cameras With Cooke Anamorphic/i Lenses

Sony FX9 and Canon C500 Mark II Are Now Netflix Approved

The Cameras Behind 43 Best Netflix Original TV Shows of 2019

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