Panavision Archives - Page 8 of 11

Cinematographer BSC ASC Polly Morgan, left, and Millicent Simmonds on the set of Paramount Pictures' "A Quiet Place Part II." Photo by Jonny Cournoyer. © 2019 Paramount Pictures. All Rights Reserved

A Quiet Place Part II Debuts in Theaters on May 28

by

2021-03-07

News

2 mins read

Paramount officially confirmed that “A Quiet Place Part II” which was originally set to come out on March 20, 2020, and even had its premiere in New York City on March 8,…

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

by

YMCinema

2021-02-28

Educate

2 mins read

Another modern adaptation of the classic rivalry was shot for the big screen. Directed by Tim Story and shot by Alan Stewart on the Sony VENICE Paired With Panavision Primo 70 and…

Superman & Lois Preserves the Zack Snyder Look: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

Superman & Lois Preserves the ‘Snyder Look’: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

by

YMCinema

2021-02-24

Educate

2 mins read

The new TV superhero action-drama, ״Superman & Lois״ was shot for the small screen, but with standards that meet the huge canvas. Shot on Panavision DXL2 and RED Monstro with true anamorphic…

Cameras Manufacturers Behind Best Netflix Original Movies of 2020

The Cameras Behind Best Netflix Original Movies of 2020

by

YMCinema

2021-01-20

Discuss

3 mins read

Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…

Cinematographer Matthew Jensen ASC at the IMAX film camera, with Patty director and crew, during production on Warner Bros.’ Wonder Woman 1984. Photo by Clay Enos. Copyright © 2018 Warner Bros. Entertainment Inc.

The Wonder of Film Cameras in Wonder Woman 1984

by

YMCinema

2021-01-17

Educate

5 mins read

In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

by

YMCinema

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

“The Grey” (2011): Cinematography Pushed to the Limit

by

YMCinema

2020-12-24

Discuss

3 mins read

Although “The Grey” was made ten years ago, it still constitutes a cinematography art-form pushed to the limit. Shot on Panavision XLs paired with Z series lenses, and with a minimal dose…

The cameras that shot predicted Oscar 2021 Best Cinematography nominees

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

by

YMCinema

2020-11-30

Discuss

2 mins read

As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…

Meet the “Panavision Millennium DXL2 IMAX” Camera

by

YMCinema

2020-09-30

News

1 min read

Panavision presents its DXL2 IMAX cinema camera. Well, it’s not a new camera per se, but more a certification by IMAX, which means the DXL2 is now an approved capture system for…

The certified cameras: "Filmed In IMAX" program

IMAX Launches “Filmed In IMAX” Program – Welcomes ARRI, RED, Panavision, and Sony

by

YMCinema

2020-09-18

News

2 mins read

Meet the new program introduced by IMAX titled as “Filmed In IMAX”, which is a new partnership with the world’s leading camera manufacturers to meet filmmaker demand for The IMAX Experience®. The…

Panavision - Page 8

A Quiet Place Part II Debuts in Theaters on May 28

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

Superman & Lois Preserves the ‘Snyder Look’: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

The Cameras Behind Best Netflix Original Movies of 2020

The Wonder of Film Cameras in Wonder Woman 1984

2020: The Year of the Large Format Cinematography

“The Grey” (2011): Cinematography Pushed to the Limit

The Cameras Behind Oscar 2021: ARRI LF, Panaflex, VENICE, HELIUM Monochrome, and a lot of Film

Meet the “Panavision Millennium DXL2 IMAX” Camera

IMAX Launches “Filmed In IMAX” Program – Welcomes ARRI, RED, Panavision, and Sony

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