Panavision Archives - Page 8 of 10

The certified cameras: "Filmed In IMAX" program

IMAX Launches “Filmed In IMAX” Program – Welcomes ARRI, RED, Panavision, and Sony

by

2020-09-18

News

2 mins read

Meet the new program introduced by IMAX titled as “Filmed In IMAX”, which is a new partnership with the world’s leading camera manufacturers to meet filmmaker demand for The IMAX Experience®. The…

Locke cinematography: RED Epic and Panavision Anamorphic

LOCKE: One-Actor Cinematography and Single-Take Shooting Style

by

Yossy Mendelovich

2020-09-08

Educate

2 mins read

Yesterday I watched the film Locke (2013) for the first time. I was amazed and blown away by its out-of-the-box concept and cinematographic execution. Building tension and telling a story based on…

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

by

Yossy Mendelovich

2020-08-13

Discuss

2 mins read

After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

by

Yossy Mendelovich

2020-07-30

Educate

2 mins read

As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…

Prediction: Christopher Nolan’s Tenet Will be Released in Summer 2021

by

Yossy Mendelovich

2020-07-27

Discuss

4 mins read

According to AT&T CEO John Stankey, Christopher Nolan wants to wait until his movie will be released properly, which means, in theaters. The streaming solution is not an option, nor geographically limited…

A Quiet Place Part II was Shot on Panavision’s Panaflex Millennium XL2 and T Glass

by

Yossy Mendelovich

2020-06-01

Discuss

3 mins read

Another celluloid masterpiece is going to land at theaters in September. A Quiet Place Part II directed by John Krasinski and shot by Polly Morgan on the Panavision XL2 paired with the…

Extraction BTS: Sam Hargrave strapped to the front of a car while holding a RED Monstro

“Extraction” BTS Footage Reveals Some Crazy Cinematography

by

Yossy Mendelovich

2020-04-15

News

2 mins read

Netflix has released BTS (Behind the Scenes) footage of its upcoming American action thriller, Extraction. By looking at this video we can explore the crazy cinematography behind it. Check it out, and…

Natasha Braier, ASC, ADF on Honey Boy set. Credit: Braier's Instagram

Women Cinematographers and The Oscar: Time to Break the Glass Ceiling

by

Yossy Mendelovich

2020-02-11

Discuss

3 mins read

The most recent achievement to a female cinematographer was given to Natasha Braier, ASC, ADF, being nominated for the 34th ASC Awards with “Honey Boy.” But what about the Oscar? It’s about…

Sundance Film Festival 2020 - Lens Manufacturers Chart

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

by

Yossy Mendelovich

2020-01-31

Discuss

4 mins read

We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…

The Digital Cinema has Brought the Film Cameras Back in the Game

by

Yossy Mendelovich

2020-01-28

Discuss

4 mins read

Are we experiencing some “digital fatigue”? By judging from the number of film cameras used on major winning productions, we might, as the film cinema cameras are back into the game. Should…

Panavision - Page 8

IMAX Launches “Filmed In IMAX” Program – Welcomes ARRI, RED, Panavision, and Sony

LOCKE: One-Actor Cinematography and Single-Take Shooting Style

The Lenses Behind Emmy 2020: Cooke, Zeiss, ARRI, Leica, and Panavision in the Lead

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

Prediction: Christopher Nolan’s Tenet Will be Released in Summer 2021

A Quiet Place Part II was Shot on Panavision’s Panaflex Millennium XL2 and T Glass

“Extraction” BTS Footage Reveals Some Crazy Cinematography

Women Cinematographers and The Oscar: Time to Break the Glass Ceiling

The Lenses Behind Sundance 2020: Cooke, Panavision, Angenieux, and a lot of Vintages

The Digital Cinema has Brought the Film Cameras Back in the Game

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!