Panavision presents its DXL2 IMAX cinema camera. Well, it’s not a new camera per se, but more a certification by IMAX, which means the DXL2 is now an approved capture system for…
Meet the new program introduced by IMAX titled as “Filmed In IMAX”, which is a new partnership with the world’s leading camera manufacturers to meet filmmaker demand for The IMAX Experience®. The…
Yesterday I watched the film Locke (2013) for the first time. I was amazed and blown away by its out-of-the-box concept and cinematographic execution. Building tension and telling a story based on…
After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…
As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…
According to AT&T CEO John Stankey, Christopher Nolan wants to wait until his movie will be released properly, which means, in theaters. The streaming solution is not an option, nor geographically limited…
Another celluloid masterpiece is going to land at theaters in September. A Quiet Place Part II directed by John Krasinski and shot by Polly Morgan on the Panavision XL2 paired with the…
Netflix has released BTS (Behind the Scenes) footage of its upcoming American action thriller, Extraction. By looking at this video we can explore the crazy cinematography behind it. Check it out, and…
The most recent achievement to a female cinematographer was given to Natasha Braier, ASC, ADF, being nominated for the 34th ASC Awards with “Honey Boy.” But what about the Oscar? It’s about…
We’ve collected the data regarding the lenses been used on Sundance Film Festival 2020 films to try and find a new trend and/or intriguing conclusions. First, Cooke is killing it. Second, we’re…