2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…
Although “The Grey” was made ten years ago, it still constitutes a cinematography art-form pushed to the limit. Shot on Panavision XLs paired with Z series lenses, and with a minimal dose…
As we’re getting closer to the postponed 93rd Academy Awards (Oscar 2021), it is time to make an initial survey regarding the cameras used to shoot the predicted nominees for the Best…
Panavision presents its DXL2 IMAX cinema camera. Well, it’s not a new camera per se, but more a certification by IMAX, which means the DXL2 is now an approved capture system for…
Meet the new program introduced by IMAX titled as “Filmed In IMAX”, which is a new partnership with the world’s leading camera manufacturers to meet filmmaker demand for The IMAX Experience®. The…
Yesterday I watched the film Locke (2013) for the first time. I was amazed and blown away by its out-of-the-box concept and cinematographic execution. Building tension and telling a story based on…
After exploring the cameras that used to shoot 72nd Emmy Awards’ Outstanding Cinematography Nominees, now it’s the time to analyze the data regarding lenses. Although were are not surprised about Panavision leading…
As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…
According to AT&T CEO John Stankey, Christopher Nolan wants to wait until his movie will be released properly, which means, in theaters. The streaming solution is not an option, nor geographically limited…
Another celluloid masterpiece is going to land at theaters in September. A Quiet Place Part II directed by John Krasinski and shot by Polly Morgan on the Panavision XL2 paired with the…