Panavision Archives - Page 8 of 11

F9 Official Trailer 2 Dropped: High Octane Action Film Shot on Panavision

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2021-04-15

News

1 min read

The trailer of F9 (Fast & Furious 9) has dropped just ahead of its June 25th debut. According to film director, Justin Lin, the F9 is by far the most ambitious film…

The Lenses Behind 93rd Academy Awards Nominees

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YMCinema

2021-03-24

Discuss

3 mins read

In continuation to our camera survey, here’re the lenses that used to shoot Oscar 2021 (93rd Academy Awards) Best Picture and Cinematography nominees. How is it compared to Oscar 2020? Find out…

Behind the scenes of WandaVision. Image: Marvel Studios

ARRI ALEXA LF Plus 47 Lenses Were Used to Shoot WandaVision

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YMCinema

2021-03-17

News

1 min read

In order to mimic and preserve the modern look of MCU (Marvel Cinematic Universe) combined with vintage TV, the Disney+ series WandaVision was shot on the ARRI ALEXA LF plus 47 lenses.…

ASC 35th Awards – Feature Film Nominees: Cameras and Lenses

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YMCinema

2021-03-11

Educate

1 min read

The American Society of Cinematographers (ASC) has announced its nominees for feature film, documentary, and television cinematography. Hence, we’ve created user-friendly slides that show the cameras and lenses been used to shoot…

Cinematographer BSC ASC Polly Morgan, left, and Millicent Simmonds on the set of Paramount Pictures' "A Quiet Place Part II." Photo by Jonny Cournoyer. © 2019 Paramount Pictures. All Rights Reserved

A Quiet Place Part II Debuts in Theaters on May 28

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YMCinema

2021-03-07

News

2 mins read

Paramount officially confirmed that “A Quiet Place Part II” which was originally set to come out on March 20, 2020, and even had its premiere in New York City on March 8,…

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

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YMCinema

2021-02-28

Educate

2 mins read

Another modern adaptation of the classic rivalry was shot for the big screen. Directed by Tim Story and shot by Alan Stewart on the Sony VENICE Paired With Panavision Primo 70 and…

Superman & Lois Preserves the Zack Snyder Look: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

Superman & Lois Preserves the ‘Snyder Look’: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

by

YMCinema

2021-02-24

Educate

2 mins read

The new TV superhero action-drama, ״Superman & Lois״ was shot for the small screen, but with standards that meet the huge canvas. Shot on Panavision DXL2 and RED Monstro with true anamorphic…

Cameras Manufacturers Behind Best Netflix Original Movies of 2020

The Cameras Behind Best Netflix Original Movies of 2020

by

YMCinema

2021-01-20

Discuss

3 mins read

Here we go with another camera survey. This time we’ve searched after the cameras that shot Netflix’s best original movies of 2020. For the first time, ARRI takes first place with its…

Cinematographer Matthew Jensen ASC at the IMAX film camera, with Patty director and crew, during production on Warner Bros.’ Wonder Woman 1984. Photo by Clay Enos. Copyright © 2018 Warner Bros. Entertainment Inc.

The Wonder of Film Cameras in Wonder Woman 1984

by

YMCinema

2021-01-17

Educate

5 mins read

In this fascinating interview with Wonder Woman 1984’s DP, Matthew Jensen ASC, we are exposed to the essentials and wonder of the celluloid. WW84 was shot entirely on Kodak 35mm, 65mm, and…

Large sensors: ARRI Mini LF, Sony VENICE, and RED Monstro

2020: The Year of the Large Format Cinematography

by

YMCinema

2021-01-03

Discuss

3 mins read

2020 can be defined as the COVID year that paralyzed the film industry. On the other hand, cameras and lenses were produced in full capacity, by focusing to fulfill the need for…

Panavision - Page 8

F9 Official Trailer 2 Dropped: High Octane Action Film Shot on Panavision

The Lenses Behind 93rd Academy Awards Nominees

ARRI ALEXA LF Plus 47 Lenses Were Used to Shoot WandaVision

ASC 35th Awards – Feature Film Nominees: Cameras and Lenses

A Quiet Place Part II Debuts in Theaters on May 28

The Legendary Rivalry – Tom and Jerry, Shot on Sony VENICE Paired With Panavision Primo 70 and Primo Artiste Lenses

Superman & Lois Preserves the ‘Snyder Look’: Shot on Panavision DXL2 and RED Monstro With B-Series Anamorphic

The Cameras Behind Best Netflix Original Movies of 2020

The Wonder of Film Cameras in Wonder Woman 1984

2020: The Year of the Large Format Cinematography

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