RED Archives - Y.M.Cinema Magazine

Cannes 2025: ARRI ALEXA 35 Takes the Throne, Super 35 Rules Supreme

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2025-05-23

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5 mins read

As the Cannes Film Festival 2025 wraps up, a cinematic tradition lives on: the unveiling of Y.M.Cinema’s Cannes Camera Chart. Based on IndieWire’s excellent cinematography survey (Cannes 2025: IndieWire’s Survey), this year’s…

Vimeo’s Surprising Short Film Grant: A Bid to Reclaim Indie Filmmakers with RED and Nikon?

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YMCinema

2025-03-04

News

4 mins read

Vimeo has just announced a new initiative: The Vimeo Short Film Grant, presented by Nikon | RED, which will provide five independent filmmakers with $30,000 each to bring their short films to…

John John Florence Receives the RED V-RAPTOR [X] Custom Camera: A True “Red” RED

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YMCinema

2025-01-28

News

2 mins read

Renowned surfer John John Florence recently unveiled his custom RED V-RAPTOR [X] camera in a bold, striking shade of red, creating a buzz in both the filmmaking and surfing communities. This unique…

Adobe Paused Work on Adding N-RAW Support to Premiere Pro

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YMCinema

2024-03-24

News

2 mins read

Nikon Z9 shooters are (very!) mad at Adobe, as it announced that it paused work on adding N-RAW support to its video products, including Premiere Pro. PP users commented they will move…

RED. The End?

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YMCinema

2024-03-07

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4 mins read

As you may have heard, Nikon acquired 100% of the outstanding membership interests of RED.com. This is a move nobody has anticipated. In our opinion, we don’t get it. It seems like…

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

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YMCinema

2024-01-29

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5 mins read

The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

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YMCinema

2024-01-23

News

1 min read

There seems to be a love story between RED and ARRI, as they have partnered together to develop a custom Raptor XL, especially for ARRI Rental’s acclaimed DNA lenses. This collaboration was…

The Cameras Behind Sundance 2024 Documentaries: Sony Wins Canon

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YMCinema

2024-01-22

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4 mins read

As the tradition calls, Sarah Shahat from IndieWire has published the camera survey regarding the Sundance 2024 Film Festival, focusing on documentaries. As usual, we ingested the data into a chart (cameras…

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

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YMCinema

2023-10-20

Discuss

5 mins read

Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

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YMCinema

2023-10-04

Discuss

4 mins read

IndieWire reached out to the cinematography nominees for the 75th Emmy Awards (Emmys). Once again, we used the data to build a chart and find tendencies. It seems that Sony takes the…

RED

Cannes 2025: ARRI ALEXA 35 Takes the Throne, Super 35 Rules Supreme

Vimeo’s Surprising Short Film Grant: A Bid to Reclaim Indie Filmmakers with RED and Nikon?

John John Florence Receives the RED V-RAPTOR [X] Custom Camera: A True “Red” RED

Adobe Paused Work on Adding N-RAW Support to Premiere Pro

RED. The End?

The Cameras Behind Sundance 2024 Narratives: ALEXA 35 Gains Popularity

RED Partners With ARRI: Launching Custom RAPTOR XL to be Paired With DNA Lenses

The Cameras Behind Sundance 2024 Documentaries: Sony Wins Canon

The Cameras Behind Oscar 2024: ARRICAM Makes A Huge Comeback

The Cameras Behind Emmy 2023: Sony VENICE Leads, and Kinefinity Enters the List

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