Red Digital Cinema Archives - Page 7 of 22

REDCODE RAW- Evolution (DSMC2 to DSMC3) and Future.001

REDCODE RAW: Evolution (DSMC2 to DSMC3) and Future (DSMC4?)

by

2022-05-23

Educate

6 mins read

RED has published a white paper focusing on its codec, which is the REDCODE RAW. Although this document is not new, it’s pretty updated and contains interesting insights regarding the evolution of…

Ambulance (Technical) Movie Review: Those Aerial FPV Shots Are F****** Amazing!

by

Yossy Mendelovich

2022-04-24

Discuss

5 mins read

First, Michael Bay’s Ambulance is one of the most entertaining action flick currently screened in theaters. Bay’s goal is to grant super solid action to the audience, and the mission was indeed…

Shooting a Formula 1 Car: Combination of DSMC2, DSMC3, FPV Drone, and Russian Arm

Shooting a Formula 1: Combination of DSMC2, DSMC3, FPV Drone, and U-CRANE

by

Yossy Mendelovich

2022-04-22

Educate

3 mins read

Let’s suppose you want to shoot a super epic and super-fast Formula 1 (F1) car during a race inside a city. Which tools should you choose for the job? A Russian Arm…

Nikon Z9: The First Mirrorless to Record Compressed RAW Internally, From Today

Nikon Z9: The First Mirrorless to Record ProRes RAW Internally, From Today

by

Yossy Mendelovich

2022-04-20

News

3 mins read

Well-played with the Z9, Nikon: Two internal RAWs unleashed! As for today, Nikon Z9 shooters can download a powerful (and FREE) firmware update that unleashes not one, but two types of raw…

RED V-Raptor 8K VV is Netflix Approved

by

Yossy Mendelovich

2022-04-18

News

2 mins read

Netflix has just approved the RED V-Raptor to be used on its 4K Originals. The Raptor 8K VV is the sixteen RED Digital Cinema camera that has been approved by the streaming…

RED has Created “Behind-the-lens mitigation” for Raptor’s Stitched Sensor

by

Yossy Mendelovich

2022-04-05

News

3 mins read

RED Digital Cinema has updated the Support page of its V-Raptor regarding artifacts shown due to the stitched sensor. According to RED, the solution is “behind-the-lens mitigation” that can be installed in-camera.…

Large Format Cinematography: The New Standard?

Large Format Cinematography as the New Standard. Obsolescence of S35?

by

Yossy Mendelovich

2022-03-30

Discuss

4 mins read

The DCS (Digital Cinema Society) has released another great episode called “DCS Large Sensor Cinematography”. The section tries to address the benefits, aesthetic and technical differences, as well as the challenges of…

Michael Bay’s Ambulance: An IMAX Worthy?

by

Yossy Mendelovich

2022-03-25

Discuss

4 mins read

On April 8 the celebration begins, as Michael Bay’s Ambulance is pushed to the theaters. However, the question remains: Which theater should you choose? Should you see it on IMAX? Although we…

ARRI Drops Some Hints on the Next ALEXA S35 4K Camera

by

Yossy Mendelovich

2022-03-11

News

2 mins read

The next ARRI Super 35 4K camera will have “Existing image quality improvements” (more bit-depth, higher FPS, and resolution) says ARRI in a new Tech Talk video explaining its B-Mount 24V battery…

Nikon Confirms: The Z9 Will be Able to Record ProRes RAW in a Future Firmware Update

by

Yossy Mendelovich

2022-02-23

Discuss

3 mins read

Nikon Support has confirmed that its new mirrorless flagship Z9 will be able to record ProRes RAW internally in a future firmware update. That’s a small hope for those who purchased the…

Red Digital Cinema - Page 7

REDCODE RAW: Evolution (DSMC2 to DSMC3) and Future (DSMC4?)

Ambulance (Technical) Movie Review: Those Aerial FPV Shots Are F****** Amazing!

Shooting a Formula 1: Combination of DSMC2, DSMC3, FPV Drone, and U-CRANE

Nikon Z9: The First Mirrorless to Record ProRes RAW Internally, From Today

RED V-Raptor 8K VV is Netflix Approved

RED has Created “Behind-the-lens mitigation” for Raptor’s Stitched Sensor

Large Format Cinematography as the New Standard. Obsolescence of S35?

Michael Bay’s Ambulance: An IMAX Worthy?

ARRI Drops Some Hints on the Next ALEXA S35 4K Camera

Nikon Confirms: The Z9 Will be Able to Record ProRes RAW in a Future Firmware Update

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