RED V-Raptor RHINO 8K S35 120P: Test Footage
RED V-Raptor RHINO 8K S35 120P: Test Footage

RED V-Raptor RHINO 8K S35 120P: Test Footage

2023-01-26
2 mins read

The guys at CVP have published a very straightforward yet educating video that shows the strengths of the newly announced RED RHINO S35 camera. This is the first time we can actually see footage from this camera, and with comparison to the Komodo and V-raptor. Explore below.

RED V-Raptor VV and RHINO S35. Picture: CVP
RED V-Raptor VV and RHINO S35. Picture: CVP

Made for certain missions

The RED Digital Cinema RHINO camera was developed to satisfy certain filmmakers that prefer shooting on the S35 (Sup 35mm) format. The RHINO is identical to its big brother, the V-Raptor in terms of design, structure, I/O, and interfaces. The only difference is the sensor size. The RHINO is armed with a Super 35mm sensor, compared to the VV (Vista Vision) large sensor of the V-Raptor. That opens up a lot more possibilities regarding lenses, especially, zoom lenses that are crucial for broadcasting, sports, and wildlife filmmaking. Yes, absolutely can use long zoom lenses on a full-frame sensor, but they will be heavier and cumbersome, which are negative factors when shooting wildlife. As opposed to the Super 35mm sensor that can be paired perfectly with acclaimed glass made specifically for this style of shooting.   

The RED V-Raptor RHINO 8K S35. Picture: CVP
The RED V-Raptor RHINO 8K S35. Picture: CVP

Smaller sensor than the Komodo

Till now, we haven’t seen any footage from the RED RHINO 8K S35 camera. Luckily, the guys from CVP have made a mini-review of it and even compared the camera to the V-Raptor and the little Komodo. As you can see, the Komodo which is also an S35 camera has a bigger sensor than the RHINO. At first, it may seem strange, since the RHINO is much more expensive than the Komodo. But this fact emphasizes, even more, the goal that the RHINO was developed for. A smaller S35 sensor means that more long zoom lens can be well adapted to cover the sensor. Furthermore, the crop factor will be higher, and that is essential in broadcast, sports, and wildlife projects. This small sensor allows you to capture S35 in an ultra-high resolution of 8K to get those crisps long distance imagery. Indeed, according to the CVP tests, the images of the RHINO look outstanding, and with rich details.

Test footage: RED V-Raptor - RHINO S35 - Komodo. Picture: CVP
Test footage: RED V-Raptor – RHINO S35 – Komodo. Picture: CVP

Performs better in the highlights

One intriguing test executed by CVP showed that the RHINO performed better in over-exposed situations. The highlights were not clipped as compared to Komodo and even to the V-Raptor. The smaller sensor would be the reason for that, but also the excellent highlights rendition of the RHINO. However, in low light conditions, the V-Raptor VV takes big time, obviously. Anyway, as mentioned, the RHINO produces stunning imagery, and it may be the ideal solution when ultra-high-resolution is needed in broadcasting, sports, and wildlife projects. Explore those Super 8K RAW footage below:

Update: V-Raptor S35 vs Helium S35

We found another educational video made by wildlife filmmaker Florian Schulz that compares the V-Raptor S35 to the DSMC2 Helium which also owns a super 35 sensor. Schulz demonstrates the main advantage of the RHINO which is the ability to shoot 8K with the Canon CN-E 30-300mm and without the vignetting problem. Watch it below: 

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Product List

Here’re the products mentioned in the article, and the links to purchase them from authorized dealers. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Canon has Developed a 1-inch 4K Sensor With 24 Stops of Dynamic Range
Previous Story

Canon has Developed a 1-inch 4K Sensor With 24 Stops of Dynamic Range

Nolan’s Oppenheimer, IMAX 15/70, and 18K Resolution
Next Story

Nolan’s Oppenheimer, IMAX 15/70, and 18K Resolution

Latest from Educate

Dune Part Two: IMAX Q&A With Greig Fraser

Dune Part Two: IMAX Q&A With Greig Fraser

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
The Advantages of Underwater Drone.

The Advantages of Underwater Drone

In this fascinating case study, the advantages of underwater drones are demonstrated. Wildlife filmmaker Antoine Drancey has been utilizing the Boxfish Luna underwater drone to film the extraordinary stunning deep underwater world.…
Dune Part Two: One More Fascinating Lens

Dune Part Two: One More Fascinating Lens

Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
Dune Part Two: Five Interesting Cinematography Facts

Dune Part Two: Five Interesting Cinematography Facts

ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
Go toTop

Don't Miss

DZOFILM Expands PAVO Anamorphic with Macro65mm,135mm,and180mm Lenses

DZOFILM Expands PAVO Anamorphic with Macro65mm,135mm, and 180mm Lenses

DZOFILM introduces three new focal lengths to its PAVO Anamorphic series. Joining the lineup are the Macro 65mm T2.8, 135mm T2.5, and 180mm
RED Digital Cinema has a New CEO, Keiji Oishi. Jarred Land Became Advisor

RED Digital Cinema has a New CEO, Keiji Oishi. Jarred Land Became Advisor

Nikon has just announced the completion of the acquisition of RED Digital Cinema and said that this business move lays the groundwork to