RED MONSTRO Archives - Y.M.Cinema Magazine

Turn your iPhone into a RED Monstro

by

2024-02-06

Educate

3 mins read

Yes, we know. A lot of you will call this headline a clickbait. But behind it, there’s the thesis that AI technology helps smartphones become closer to high-end cinema cameras. A reference…

Opinion: EXTRACTION 2 Should be Made for Theaters and NOT for Netflix

by

Yossy Mendelovich

2023-07-04

Discuss

2 mins read

Hemsworth and Hargrave gave it all in Extraction 2. However, this Netflix action masterpiece is buried inside Netflix instead of being screened on the big canvas or even in IMAX theaters, and…

Zack Snyder’s Rebel Moon BTS Released: Same Cinematography Style as ‘Army’

by

Yossy Mendelovich

2023-07-03

Educate

3 mins read

Even before the trailer, a BTS of the forthcoming Zack Snyder’s Rebel Moon was released. The sci-fi opera was shot one an unconventional and mighty combo of RED V-Raptor XL and bespoke…

R.I.P DSMC2? RED Removes DSMC2 Bodies From its Store

by

Yossy Mendelovich

2023-01-10

Discuss

6 mins read

RED has removed the DSMC2 brains from its online store on RED.com. That means these cameras can’t be purchased anymore on the RED Digital Cinema website. Meanwhile, DSMC2 users are asking for…

Lost Bullet 2: If John Wick and F&F Made a Collab – Shot on RED Monstro 8K

by

Yossy Mendelovich

2022-12-16

Educate

3 mins read

Have you seen Netflix’s new high-octane, action-packed thriller Lost Bullet 2? If not —Go see it! It’s one of the best action movies Netflix has ever released. Large format goodness — Shot…

Shooting Plates: Multiple Cinema Cameras, or Ultra Wide Lens?

by

Yossy Mendelovich

2022-10-25

Discuss

3 mins read

Shooting plates seem to be a simple process. The challenge is mainly focused on choosing the right cameras, and lenses, and assembling the rig. However, which is preferred? Shooting with an array…

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

by

Yossy Mendelovich

2022-10-17

Educate

6 mins read

In my opinion, Michael Prickett is one of the bravest cinematographers who exist on the planet. Being the DP of HBO’s 100-Foot Wave means capturing those Nazare’s monsters, in an ultra-harsh environment.…

Why RED? Resolution, RAW, and Dynamic Range

by

Yossy Mendelovich

2022-09-07

Discuss

2 mins read

Cinematographer and director Mark Toia shares with us his thoughts and insights on why to choose RED cameras over other cinema cameras. In his stunning video, the advantages of the RED V-Raptor…

The Raid 2: An Important Landmark of Action Cinematography

by

Yossy Mendelovich

2021-11-22

Discuss

4 mins read

The Indonesian action masterpiece, The Raid 2, can be easily defined as an important landmark for action cinematography, by inventing new methods for shooting martial arts and car chases. Although the film…

ACHTEL 9X7 Replaces an Array of 6 Cinema Cameras

by

Yossy Mendelovich

2021-10-11

Discuss

3 mins read

The ACHTEL 9X7 camera was paired with XM2 Pursuit using SHOTOVER System, to try and replace an array of 6 (or more) cinema cameras. This unique setup is aimed for high-end VFX,…

RED MONSTRO

Turn your iPhone into a RED Monstro

Opinion: EXTRACTION 2 Should be Made for Theaters and NOT for Netflix

Zack Snyder’s Rebel Moon BTS Released: Same Cinematography Style as ‘Army’

R.I.P DSMC2? RED Removes DSMC2 Bodies From its Store

Lost Bullet 2: If John Wick and F&F Made a Collab – Shot on RED Monstro 8K

Shooting Plates: Multiple Cinema Cameras, or Ultra Wide Lens?

Extreme and Dangerous Cinematography: Capturing 100-Foot Waves

Why RED? Resolution, RAW, and Dynamic Range

The Raid 2: An Important Landmark of Action Cinematography

ACHTEL 9X7 Replaces an Array of 6 Cinema Cameras

Get the best of filmmaking!

Recent Posts

Categories

Get the best of filmmaking!