Sony Venice Archives - Page 12 of 13

Sony FX9 V2 Firmware Available: 16-bit RAW, FF 4K 60p, 180 FPS, and More

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2020-09-10

News

3 mins read

Good news for FX9 shooters! Sony has released the V2 firmware ahead of time. The new firmware is now available to download and includes many anticipated goodies, like 16-bit RAW (external), FF…

The Premista 19-45mm on the ARRI Trinity

Meet the new Large-Format Cinema Zoom: FUJINON Premista 19-45mm T2.9

by

Yossy Mendelovich

2020-09-07

News

2 mins read

FUJIFILM has announced the development of the FUJINON Premista 19-45mm T2.9 lightweight wide cinema zoom lens (“Premista 19-45mm”) for large format sensor cameras. This lens will join the prestige Premista family of…

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

by

Yossy Mendelovich

2020-09-03

News

2 mins read

The new Sony FX6 cinema camera will be released and shipped by the end of 2020. The FX6 4K will join the newly announced Cinema Line which includes full-frame cameras like the…

Sony Publishes the VENICE Remote Operation Cinematography Guide

by

Yossy Mendelovich

2020-08-20

Educate

3 mins read

Sony has released a new guide titled “VENICE Remote Operation Cinematography Guide” which focuses on the new era of social distancing in film productions. Pandemic aside, this guide constitutes a useful piece…

Westworld: The comeback of the film cameras

Westworld was Shot on 20 Years-Old Film Cameras: A Reference for the Supremacy of Celluloid

by

Yossy Mendelovich

2020-08-10

Discuss

3 mins read

The Emmy 2020 nominee for Outstanding Cinematography, Westworld, was shot mostly on film by DP Paul Cameron, ASC. The cameras were ARRICAM Lite and Studio, combined with Sony VENICE for wide-night shots.…

Ozark cinematography (season 3): DP Armando Salas, ASC and DP Ben Kutchins. Camera: Sony VENICE. Lenses: Leica R.

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

by

Yossy Mendelovich

2020-08-04

Educate

3 mins read

What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

by

Yossy Mendelovich

2020-07-30

Educate

2 mins read

As our tradition requires, we’ve built a chart of the main cameras used by the 72nd Emmy Awards’ Outstanding Cinematography Nominees. For the first time, SONY leads the way with its marvelous…

The Cooke S7i 32mm attached to the Sony Venice Rialto sensor block extension module for a low angle shot inside a freezer

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

by

Yossy Mendelovich

2020-05-18

Discuss

5 mins read

The Netflix original series Dead to Me can be used as a filmmaking reference for how to utilize the Sony Venice and Cooke S7/i lenses to get the full-frame look with all…

The Sony VENICE cinema camera in Top Gun: Maverick. Picture: Photo by Scott Garfield/Scott Garfield - © 2019 Paramount Pictures Corporation

Sony VENICE got Upgraded With Firmware Version 6.0

by

Yossy Mendelovich

2020-05-04

News

3 mins read

Sony has announced new firmware for its VENICE (version 6.0). The firmware will arrive in November and includes Increased HFR (High Frame Rates) capabilities, Advanced Rendering Transform (.art) workflow, and new Frame-lines…

Recording ProRes RAW: Sony FX9, Atomos Shogun 7 and the XDCA-FX9 Extension Unit

Sony FX9 RAW Recording Announced, But It Will Cost You $3,800

by

Yossy Mendelovich

2020-05-01

News

4 mins read

Sony announced the Version 2.0 firmware for the FX9 which will allow some significant feature improvements that include the capability of recording RAW. However, you will need some expensive accessories to make…

Sony Venice - Page 12

Sony FX9 V2 Firmware Available: 16-bit RAW, FF 4K 60p, 180 FPS, and More

Meet the new Large-Format Cinema Zoom: FUJINON Premista 19-45mm T2.9

Sony Announces the Development of FX6: Full Frame 4K Cinema Camera

Sony Publishes the VENICE Remote Operation Cinematography Guide

Westworld was Shot on 20 Years-Old Film Cameras: A Reference for the Supremacy of Celluloid

Ozark Cinematography: From Super 35 (Varicam) to Full Frame (VENICE)

The Cameras Behind 72nd Emmy Awards’ Outstanding Cinematography Nominees: Sony VENICE Leads the way

Netflix’s “Dead to Me”: Large Format Creation Made on Sony Venice and Cooke S7/i

Sony VENICE got Upgraded With Firmware Version 6.0

Sony FX9 RAW Recording Announced, But It Will Cost You $3,800

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