Sony Venice Archives - Page 7 of 13

NAB Show 2022’s Winners: Sony VENICE 2, and Canon Cinema EOS R5 C

NAB Show 2022’s Winners: Sony VENICE 2, and Canon EOS R5 C

by

2022-04-28

News

2 mins read

The NAB Show has announced the winning products of 2022. The Sony VENICE 2 and the Canon Cinema EOS R5 C are the cinema cameras that took the prize. What’s the main…

Looking Back: The ARRI ALEXA M

by

Yossy Mendelovich

2022-04-26

Educate

3 mins read

In this article we allow ourselves to look back at a very special camera announced more than a decade ago – The ARRI ALEXA M. With all the new cameras introduced lately…

Tom Cruise Taught Actors How To Operate Sony VENICE Cameras Inside Fighter Jets in Top Gun: Maverick

by

Yossy Mendelovich

2022-04-15

Discuss

4 mins read

Here is a very interesting fact about Top Gun: Maverick. It appears that due to Tom Cruise’s instructions, no CGI effects were utilized, and all the crazy aerial shots are real. The…

USC School Of Cinematic Arts Partners With Sony To Support Next Generation Filmmakers

Sony Contributes Cinema Cameras to High Filmmaking Education. Will Others Follow?

by

Yossy Mendelovich

2022-04-14

News

2 mins read

Sony has partnered with the USC School of Cinematic Arts and will start providing cinema cameras including the VENICE 2, FX series, Alpha cameras as well as installing Sony’s new Crystal LED…

Sony VENICE 2 is Netflix Approved

by

Yossy Mendelovich

2022-03-22

News

2 mins read

Netflix has just approved the Sony VENICE 2 8K cinema camera for its original productions. The VENICE 2 is the tenth Sony camera being approved by Netflix. However, it’s an obvious step…

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

by

Yossy Mendelovich

2022-03-17

Educate

4 mins read

Here’s a reference for cinematic broadcasting with all its glory. The 2022 Super Bowl Halftime Show was shot with an array of 12 Sony VENICE 6K full-frame cameras that were paired with…

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

by

Yossy Mendelovich

2022-03-14

Educate

2 mins read

Have you watched Netflix’s “Inventing Anna” yet? This well-crafted (from an imagery perspective) was shot on the Sony VENICE by four cinematographers. That (essential) filming strategy, has contributed to the flexibility of…

DaVinci Resolve 17.4.5: Improved Support for URSA 12K, and VENICE 8K

by

Yossy Mendelovich

2022-03-07

News

1 min read

Blackmagic Design has just released the 17.4.5 version of DaVinci Resolve. Main features include improved deconstruction of nested timelines for audio tracks, 20% faster decoding of Blackmagic RAW 12K files on Apple…

Cinema Lenses: Fujinon – The Premista Zooms, Evolvement of Lens Metadata, and the Crazy SK35-700mm

by

Yossy Mendelovich

2022-02-20

Educate

4 mins read

Here’re the key points and highlights of the Fujinon deck, as part of the DCS (Digital Cinema Society) discussion, about the “Focus On Cine Lenses From the Buyer’s POV”. The presentation demonstrates…

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

by

Yossy Mendelovich

2022-02-06

Educate

4 mins read

The cinematography behind the new cool Netflix action series ‘In From The Cold’ can constitute a reference of smart lens utilization for getting the correct images. The series was shot on Sony…

Sony Venice - Page 7

NAB Show 2022’s Winners: Sony VENICE 2, and Canon EOS R5 C

Looking Back: The ARRI ALEXA M

Tom Cruise Taught Actors How To Operate Sony VENICE Cameras Inside Fighter Jets in Top Gun: Maverick

Sony Contributes Cinema Cameras to High Filmmaking Education. Will Others Follow?

Sony VENICE 2 is Netflix Approved

Sony VENICE and Fujinon Cinema Box Lens Supercharged Cinematic Look of the Super Bowl Halftime Show

‘Inventing Anna’: Multiple DPs = Imagery Evolution, and one Sony VENICE

DaVinci Resolve 17.4.5: Improved Support for URSA 12K, and VENICE 8K

Cinema Lenses: Fujinon – The Premista Zooms, Evolvement of Lens Metadata, and the Crazy SK35-700mm

‘In From The Cold’ Cinematography: Shot on Sony VENICE Paired With Cooke S7/i and Panchros

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