Sony’s Cinema Line has become an icon in the world of digital cinema. It’s more than just a collection of cameras; it’s a philosophical commitment to empower creators and push the boundaries…
So we saw Joker 2 (Joker: Folie à Deux), and it was outstanding. WE LOVED IT! The visuals are just stunning, and we praise Lawrence Sher for that. He chose just right…
It’s interesting to reveal that many DPs lately prefer using simple and technically straightforward cinema cameras to shoot high-budget action feature films. For instance, in Civil War, the DJI Ronin 4D 6K…
Sony Cine has published a crash course that demonstrates the basic operation of the VENICE 2 CineAlta camera. This 14-minute video titled VENICE 2 101 shows you what you need to know…
Once again, a group of 12 Sony VENICE cinema cameras were utilized to bring the cinematic look of feature films to the Super Bowl Halftime Show. Check out the BTS below. 12…
Director Michael Mann and DP Erik Messerschmidt needed a bunch of cinema cameras to be attached to very fast cars. Hence, they have decided to use a combination of RED Komodo and…
The master of cinematography, Emmanuel Lubezki, has tried the Sony BURANO for a short documentary project. Lubezki paired the BURANO with the VENICE 2 and applied his ultra-wide-angle approach by using Sony…
One of the major differences between the BURANO and its bigger brother VENICE 2, is how they handle Sony’s flagship codec – The X-OCN released in 2016. To make the story short…
Sony has presented “Light Speed” which is the first commercial video for the new Alpha 9 III. However, this marvelous video was not shot on the Alpha 9 III, but on other…
Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…