Sony Publishes the VENICE 2 Training Crash Course
Sony Publishes the VENICE 2 Training Crash Course

Sony Publishes the VENICE 2 Training Crash Course

2024-03-04
2 mins read

Sony Cine has published a crash course that demonstrates the basic operation of the VENICE 2 CineAlta camera. This 14-minute video titled VENICE 2 101 shows you what you need to know in order to operate the camera fast and efficiently. Check it out.

Sony VENICE 2 101. Picture by Sony Cine
Sony VENICE 2 101. Picture by Sony Cine

Sony VENICE 2

The Sony VENICE 2 is the CineAlta flagship. Small and lightweight but solidly built, the VENICE 2 was developed thanks to direct feedback from the production community. The camera was designed with a smaller and more lightweight body than the original VENICE while keeping its intuitive operability. Despite being 44mm smaller and approximately 10% lighter, the VENICE 2 chassis allows internal recording of X-OCN and Apple 4K ProRes 4444 and 422HQ without the AXS-R7 recorder, offering advanced usability in a compact and lightweight body. Additionally, the VENICE 2 user interface is the same as the original VENICE but incorporates improvements to make it easier and even more intuitive to use. The camera offers an evolved product design while being compatible with almost all original VENICE accessories. Other updates to the VENICE 2, based on the feedback from current VENICE users to enhance usability, include:

  • 4K output with LUT applied
  • Improved 3D LUT processing to improve picture quality 
  • EI changes directly applied to S-Log3 outputs
  • LUT/ASC-CDL control via Ethernet/Wi-Fi 
  • Zoom to Fit (Full-Frame recording with 17:9/16:9 monitoring) operation 
  • Ethernet connector position changed to the Camera Assistant side 
  • Lemo 2pin 12V output connector 
  • Internal microphone installed 
Sony VENICE 2 101 training course. Picture by Sony Cine
Sony VENICE 2 101 training course. Picture by Sony Cine

This course builds on what you learned during the VENICE 101 to help you get equipped to operate and navigate the VENICE 2 from dual base ISO to the differences between the Original VENICE and the VENICE 2.

VENICE 2 101: A crash course by Sony Cine

Due to a lot of requests, Sony Cine has created a new VENICE 2 101, which is a training course for the VENICE 2 digital cinema camera. As stated by Sony Cine: “This course builds on what you learned during the VENICE 101 to help you get equipped to operate and navigate the VENICE 2 from dual base ISO to the differences between the Original VENICE and the VENICE 2”. Explore the topics below:

  1. The differences between VENICE and VENICE 2
  2. Codecs
  3. New media cards
  4. Removing the PL Mount
  5. Lens Interface Voltage
  6. Viewfinder menu. (BTW, the guys at Sony Cine say that they have received feedback from the industry to allow access to the full VENICE menu from the viewfinder. Sony says that this was not implemented but this request has been noted by the engineers. So who knows? It might be implemented someday).
  7. Updated SDI functionality
  8. Usr frame lines
  9. Live grade
  10. RCP mode
The Sony VENICE 2 101 training course. Picture by Sony Cine
The Sony VENICE 2 101 training course. Picture by Sony Cine

The course is free of charge and anyone can watch it on the Sony Cine YouTube page. Check it out below:

Product List

Here are the products mentioned in the article, and the links to purchase them from authorized dealers.

  • Sony VENICE 2 Digital Motion Picture Camera (8K)
  • Sony VENICE 2 Digital Motion Picture Camera (6K)

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Big Sky Camera & Apple Vision Pro: The Perfect Match?
Previous Story

Big Sky Camera & Apple Vision Pro: The Perfect Match?

IMAX CEO: “If you want to launch a blockbuster, you need IMAX to be part of it”
Next Story

IMAX CEO: “If you want to launch a blockbuster, you need IMAX to be part of it”

Latest from Educate

Dune Part Two: IMAX Q&A With Greig Fraser

Dune Part Two: IMAX Q&A With Greig Fraser

IMAX has interviewed Greig Fraser ACS, ASC who is the DP behind Dune Part Two. In the interview, Fraser talks about the making of Dune Part Two, how it was different compared…
The Advantages of Underwater Drone.

The Advantages of Underwater Drone

In this fascinating case study, the advantages of underwater drones are demonstrated. Wildlife filmmaker Antoine Drancey has been utilizing the Boxfish Luna underwater drone to film the extraordinary stunning deep underwater world.…
Dune Part Two: One More Fascinating Lens

Dune Part Two: One More Fascinating Lens

Continuing our previous article about the tools behind Dune Part Two, we forgot to mention one more important glass, which would be the IronGlass x VLFV MKII rehoused Soviet lenses. This fascinating…
Dune Part Two: Five Interesting Cinematography Facts

Dune Part Two: Five Interesting Cinematography Facts

ARRI Rental, the company that has extensively supported the moviemaking masterpiece, Dune Part Two, released an educating article regarding the cinematography behind the film. We’ve gathered a few interesting facts. Cameras, lenses,…
Go toTop

Don't Miss

Civil War Cinematography: Ronin 4D 6K as the 'Invisible' Camera

Civil War Cinematography: Ronin 4D 6K as the ‘Invisible’ Camera

It’s interesting to reveal that many DPs lately prefer using simple and technically straightforward cinema cameras to shoot high-budget action feature films. For
The Sony VENICE and the Fujinon 25-1000mm PL box lens. Shooting the Super Bowl Halftime show. Picture: Sony Cine

12 Sony VENICE Cinema Cameras to Shoot Super Bowl Halftime Show

Once again, a group of 12 Sony VENICE cinema cameras were utilized to bring the cinematic look of feature films to the Super