RED Solitary Series- Generating in-camera proxies
RED Solitary Series- Generating in-camera proxies

RED Solitary Series: Working With Proxies

2020-04-20
2 mins read

During the social distancing, poxy files (proxies) are the most logical pathway of a remote workflow. In this RED Solitary Series chapter, this workflow will be demonstrated, by creating proxies, edit them on Premiere Pro and through an XML re-link the RAW R3D file in Da Vinci Resolve for final delivery. 

RED Solitary Series: Live and free event
RED Solitary Series: Live and free event

REDCODE (R3Ds) and proxies

The REDCODE is a powerful codec. However, sometimes there is a need to create proxies & move them between multiple applications depending on production’s workflow. This RED Solitary Series chapter is dedicated to working with proxies. That means, creating proxies in-camera on a DSMC2 or Ranger, create proxies in Da Vinci Resolve, edit those proxy files on Premiere Pro and through an XML re-link the RAW R3D file in Da Vinci Resolve for the final conform. 

RED Solitary Series- Talking about proxies
RED Solitary Series- Talking about proxies

Proxy= lower fidelity references file

The proxy file can be generated in-camera or by almost any editing software (REDCINE-X, NLEs and so on). Nevertheless, creating the proxies in the camera is the easiest way, just choose the resolution of that proxy (2k or 4k) and the flavor of the ProRes (check the image below for a reference). Sometimes, proxies with lower resolution can be generated with a better codec (ProRes 4444), however, it’s “just a proxy” so feel free to utilize that freedom. Moreover, the video contains some useful tips and information on how those proxies can be effectively used in order to facilitate workflow. 

RED Solitary Series- Generating in-camera proxies
RED Solitary Series- Generating in-camera proxies

This session will teach you how to: 

  1. Generate proxies within Resolve
  2. Import these proxies into Premiere Pro
  3. Edit with the low-res proxies & explain the pros and cons of this specific round-trip
  4. Export an XML
  5. Bring that cut back into Resolve & set-up for grading the RAW R3D files

In the last part of the video, RED’s Dan Duran & Cleigh Reed will join the stream for some Q&A whilst discussing some of the nuances of different types of proxy workflows, including the preferred specs (machine) for this kind of workflow. Check the video below: 

RED Solitary Series

The goal of the RED Solitary Series is to engage and educate RED shooters (and all others) that are looking to collaborate and learn during this time at home. The series consists of three chapters (for now) that deal with REDCODE and 8K workflow, resolution (read our article in regard) and proxies, focusing on RED’s ecosystem (cameras and codecs). Each chapter constitutes a long video (about an hour) includes Q&A sessions. The videos are recorded live and presented by RED’s experts. 

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We’ll keep you posted regarding more useful and educational videos and tutorials, so stay tuned.

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

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Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

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