One of the major differences between the BURANO and its bigger brother VENICE 2, is how they handle Sony’s flagship codec – The X-OCN released in 2016. To make the story short…
A very intriguing test performed by YouTuber Matt Irwin has put the Nikon Z8 through its paces regarding 8K recording times of compressed RAW codecs (ProRes RAW and N-RAW). The results are…
Jinni-Tech – the master of educational videos with the goal of striking RED Digital Cinema, is back. And this time, the focus is on the REDCODE RAW codec, and the origin of…
As Nikon persists to deny and fight back RED’s lawsuit regarding the compressed raw infringement in the Z9, the court has set a jury trial for January 2024. Till then, Z9 users…
RED Digital Cinema’s most recent patent granted two weeks ago, titled Video Image Data Processing In Electronic Devices, joins the other three RED patents related to compressed raw [8,872,933, 9,479,749, 9,787,878]. However,…
Generating proxies is an integral part of the editing process, especially when dealing with high-resolution RAW media. In this short and efficient tutorial by the great educator Casey Faris, the importance of…
Adobe announces the enhancement and improvements of the C2C (Camera to Cloud) frame.io capabilities in the RED V-Raptor and Raptor XL. Now, the C2C integration will be built-in to those cameras in…
It seems there will be no paid royalties on this one. Nikon has just answered RED’s lawsuit, and it denies almost all infringements regarding the compressed raw patents of RED Digital Cinema.…
What can we learn from RED Digital Cinema’s lawsuits? We’re referring to two lawsuits although there’re more. The most relevant ones are Kinefinity and Nikon. What’re the differences between them? How many…
Nikon has announced Firmware 2.1 of the flagship Z9 which includes mainly enhanced AF (AutoFocus) capabilities for tracking small objects. More importantly, the major feature of Firmware 2.0 which is the N-RAW…