DZOFilm Introduces Catta: Super Light and Super Affordable Full-Frame Cine-Zooms
DZOFilm Introduces Catta: Super Light and Super Affordable Full-Frame Cine-Zooms

DZOFilm Introduces Catta: Super Light and Super Affordable Full-Frame Cine-Zooms

2021-11-18
4 mins read

DZOFilm continues to break the market with its full-frame and affordable glass, by introducing two brand new cinema zooms that can cover full-frame sensors. Meet the Catta lenses: 35-80mm T/2.9 and 70-135mm T/2.9. Main characteristics: Super light, and super affordable. All details are below.

DZOFilm Catta full-frame cinema zoom lenses. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lenses. Picture: DZOFilm

DZOFilm: The king of the affordable FF cine glass

DZOFILM is a Chinese brand that specializes in designing and manufacturing cinema lenses at affordable prices. As stated by the company: “In the contemporary film industry, DZOFilm wishes to redefine the role of a lens manufacturer. Offering the best lenses in terms of functionality at attractive prices. Allowing the next generation of filmmakers to turn their vision into reality”. Indeed, DZOFilm lenses are been used mainly by professional independent filmmakers that are eager to use cinema glass in their productions. Their lenses are affordable and constitute a rehoused version of still lenses. Nevertheless, filmmakers report that this glass has the optimal cost-effective ratio. To prove our point, visit our articles regarding price comparisons of cine-lenses that cover full-frame. DZOfilm offers one of the most affordable sets as well. Referenced articles below:

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

The Catta lenses

Now, DZOFilm has decided to go full-frame with zooms as well, by presenting the Catta brand.  As stated by DZOFilm: “After the launch of Super35 zoom lenses “Pictor”, and full-frame prime lenses “Vespid”, we began to think about meeting the zoom needs of full-frame users, and thus brought out these full-frame zoom lenses– Catta”. The Catta includes two very special cinema zoom lenses, that own unique characteristic, especially regarding weight and price.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Full Frame Zooms

As DZOFILM’s third zoom series, the Catta 35-80mm T/2.9 and 70-135mm T/2.9, cover most of the basic focal length in diverse shooting projects. DZOFIlm says that: “The golden focal lengths of 35-80mm/70-135mm enable cinematographers to create cinematic images without sacrificing time in lens replacing. Affordable, ultra-lightweight with minimal focus breathing, these zooms are an excellent addition to any cinematographer’s lens arsenal”.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

“Primate monkey”

This is how DZOFilm describes the new FF Zooms: “Catta is a primate monkey with a swift body, keeps curiosity of environment. And the Catta lens is named after this. Light and compact, easy to carry to explore more possibilities on shooting. With increasing cinematographers turning to full-frame format for various productions, Catta Zoom aims to meet the current market’s demands of acquiring high-quality images and satisfying larger format cameras, like the latest Red V-raptor 8k”.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Reduced weight: Made of polycarbonate and glass-fiber

The 35mm-80mm T/2.9 weighs only 1.53kg, and the 70mm-135mm T/2.9 is less than 1.6kg. As stated by DZOFilm: “Manage to decrease the weight, we choose to use polycarbonate and glass fiber on this shell with strict tolerance. Extremely portable for changing field of view frequently”. DZOFilm says that these cinema zoom lenses would be a great choice for live shows, indie filmmaking, vehicle shooting, documentaries, and gun shooting scenarios with precise parfocal design. Furthermore, the company adds that the Catta Zooms are easily applicable with gimbal-like Ronin s2 and Crane 3s, etc. when shot on rapidly moving scenes.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Round Bokeh and fine details

With 16 blades of the diaphragm and an aperture range of T2.9-T22, Catta produces round and smooth bokeh with natural transition of image. The extremely close focus distance helps shooters to shoot clear details and characteristics of the subject.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Improved Breathing Control

Same as it ever was minimal breathing in DZOFILM cine lenses, the company promises that this time you can find a better performance in Catta. The lenses are characterized by invisible breathing during racking focus. “Focus along the journey, the edge of the frame always keeps same, making audience immerse in the plot deeply” DZFIlm adds.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Plug-in Filter

Loaded with a 77mm detachable front filter design, Catta Zoom lenses are also equipped with a plug-in rear filter, adding amusement to the shooting experience, allowing users to change the rear ND/ UV/ Streak/ Mist filter freely.

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Mounts

In terms of mounts, both lenses are originated in E mount. But DZOFilm says that there is also an additional mount to meet diversified needs, like RF/ L/ Z/ X mount. “Equipped with a quick-release interchangeable mount, it is easy and speedy to change mount” DZOFilm emphasizes.

DZOFilm Catta full-frame cinema zoom lenses. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lenses. Picture: DZOFilm

Explore the table below for the full specs of the Catta lenses: 

DZOFilm Catta full-frame cinema zoom lenses. Specs. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lenses. Specs. Picture: DZOFilm

Prices and Availability

These two lenses now accept pre-order from DZOFILM dealers and start to ship at the end of this month (explore the Product List at the end of the article). The price is $3099/ each, and a $299 discount if purchasing a bundle. The black metal version of the PL/EF mount will follow up next year (2022).

DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm
DZOFilm Catta full-frame cinema zoom lens. Picture: DZOFilm

Closing thoughts

With a price tag of $3,100 for a decent full-frame cine-zoom, the Catta is considered super affordable. The lenses were designed to meet the demand of independent shooters that need full-frame cinema zoom lenses in their production. DZOFilm describes this concept accurately by saying: “DZOFILM hopes that all cinematographers can catch this light and compact lens to explore more possibilities on shooting easily”. Indeed, with that price, you can build a solid and professional rig that can do a beautiful job, and without breaking the bank. And what about image quality? DZOFilm has published a video that shows what the Cattas can do. The video was shot with the Sony FX6 and FX3. Watch it below:

What are your thoughts about the Catta full-frame cine-zoom lenses? Are you satisfied with the image quality? Would you use them in your productions, or should it be smarter to invest in more prestigious lenses?

Product List

Here’re the products mentioned in the article, and the links to purchase them from authorized dealers. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

2 Comments

  1. Will the PL/EF Versions just be the mounts next year? So that means if i purchase the lenses this year I just need to get the PL mounts next year?

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

IMAX Enhanced: Get More Picture Instead of Black Bars
Previous Story

IMAX Enhanced: Get More Picture Instead of Black Bars

Compact Cinema Camera Shootout: A Must-See Comparison
Next Story

Compact Cinema Camera Shootout: A Must-See Comparison

Latest from News

Sora: The Digital Equivalent of Junk Food

Sora: The Digital Equivalent of Junk Food

The big news in the world of AI is that Sora, the much-hyped generative AI platform, is now accessible to the public. Promising to revolutionize video production, Sora has been marketed as…
Go toTop

Don't Miss

The Best Digital Cinema Cameras for 2024

The Best Digital Cinema Cameras for 2024

In the ever-evolving landscape of filmmaking, the tools we use shape the stories we tell. Digital cinema cameras have become the cornerstone of…
The Most Popular Film Cameras: ARRIFLEX and ARRICAM

The Most Popular Film Cameras: ARRIFLEX and ARRICAM

In the digital age, traditional film cameras still hold a unique place in the hearts of many cinematographers, directors, and filmmakers. Amid the…