ALEXA Mini LF Recording Formats Poster Pack
ALEXA Mini LF Recording Formats Poster Pack

ALEXA Mini LF Recording Formats Poster Pack – FREE Download

2021-12-21
1 min read

ARRI has published a very useful piece of educational info. The ALEXA mini LF Recording Formats Poster Pack is an “easily-digestible” poster with visual aids to help clarify the recording format size, resolution, and maximum frame rates of the ARRI Mini LF. Download it for free.

ALEXA Mini LF Recording Formats
ALEXA Mini LF Recording Formats

ARRI Mini LF: Multiple recording formats now organized

As stated by ARRI: “New downloadable poster! The ALEXA Mini LF now offers you the choice of twelve different recording formats for productions of all shapes, sizes, and budgets. We know that all that choice can be a challenge to communicate with customers, so we’ve designed an easily-digestible poster with visual aids to help clarify the recording format size, resolution, and maximum frame rates”.  ARRI also made a simplified version in A4 and Letter size which can fit neatly into a camera case, or be used by rental house staff as a cheat-sheet”.

ALEXA Mini LF Recording Formats Posters
ALEXA Mini LF Recording Formats Posters

List of the formats

Here’s the list of the recording formats and their purpose as defined by ARRI:

  1. 4.5K LF 3:2 Open Gate: Maximum image quality, image area, and resolution for spherical and anamorphic lenses providing enormous flexibility in post.
  2. 4.5K LF 2.39:1: Designed for shooting 2.39:1 cinematic widescreen with spherical large-format lenses.
  3. 4.3K LF 16:9: The unique large-format look with a drastically reduced data rate, through in-camera down-sampling to your target deliverable of 16:9 UHD or HD.
  4. 3.8K LF 16:9: The smallest sensor area compliant with 4K mandates allows the use of many spherical S35 lenses. In-camera down-sampling options provide lower data rates for cost-efficient ways to achieve the large-format look.
  5. 2.8K LF 1:1: Designed for shooting with 2x anamorphic lenses for a target deliverable of 2:1, fulfilling 4K mandates.
  6. 3.4K S35 3:2: The most flexible format for S35 projects, covered by most S35 lenses and with enough resolution for many postproduction workflows.
  7. 3.2K S35 16:9: Ideal for shooting with spherical S35 lenses for a 16:9 target deliverable.
  8. 2.8K S35 4:3: For projects using anamorphic S35 lenses for
    a target deliverable of 2.39:1, or spherical S35 lenses for a target deliverable of either 1.33:1, or 1.85:1 with extra room above and below the image.
  9. 2.8K S35 16:9: The quickest way to an HD deliverable, with a super-low data rate and the assurance that the sensor area is covered by any S35 lens.
ALEXA Mini LF Recording Formats Poster
ALEXA Mini LF Recording Formats Poster

Download it for free

The ALEXA Mini LF Recording Formats Poster Pack is now available to download from the links below:

Product List

Here’re the products mentioned in the article, and the links to purchase them from authorized dealers. 

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Blackmagic Refines URSA 12K Sensor With the Help of Firmware Update
Previous Story

Blackmagic Improves URSA 12K Sensor With the Help of Firmware Update

Shooting Cinematic Interview With the Canon C500 Mark II, Sumire Primes, and Cooke S4/i
Next Story

Shooting Cinematic Interviews With the Canon C500 Mark II, Sumire Primes, and Cooke S4/i

Latest from Educate

The Philosophy Behind Sony Cinema Line

The Philosophy Behind Sony Cinema Line

Sony’s Cinema Line has become an icon in the world of digital cinema. It’s more than just a collection of cameras; it’s a philosophical commitment to empower creators and push the boundaries…
Go toTop

Don't Miss

The Philosophy Behind Cinema Camera’s Sensor Sizes

The Philosophy Behind Cinema Camera’s Sensor Sizes

Cinema camera sensors are at the heart of filmmaking technology. The size of the sensor in a camera significantly impacts the visual aesthetic…
The Most Popular Film Cameras: ARRIFLEX and ARRICAM

The Most Popular Film Cameras: ARRIFLEX and ARRICAM

In the digital age, traditional film cameras still hold a unique place in the hearts of many cinematographers, directors, and filmmakers. Amid the…