YouTuber Matti Haapoja shows us how he prepares his ARRI ALEXA Mini LF for a shoot. This very basic but educational tutorial demonstrates how to assemble a high-end cinema camera for a…
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Amazon Studios and ARRI have collaborated on an exclusive, in-depth video featurette about “The Lord of the Rings: The Rings of Power,” analyzing the technological orchestra of large format cinematography, VFX, lighting,…
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The cinematography uniqueness of the 4th John Wick as compared to the rest of the chapters is the fact that it was ‘Filmed for IMAX’ on large format cameras and lenses. DP…
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ARRI has announced the new SUP 7.2 for the ALEXA Mini LF, and it emphasizes that this ‘large format flagship’ will continue to improve with additional updates during 2023. One of the…
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IndieWire has published its extensive survey regarding the cameras and lenses that shot 40 narrative films at the 2023 Sundance Film Festival. We took the data and organize it in order to…
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Karl Walter Lindenlaub ASC sheds very interesting light (literally) on the Paramount Plus series “Halo” which was shot on the LF systems. It appears that the Signature Primes were used for the…
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ARRI has published a very useful piece of educational info. The ALEXA mini LF Recording Formats Poster Pack is an “easily-digestible” poster with visual aids to help clarify the recording format size,…
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The process of making Dune was pretty novel in terms of creating the imagery. The movie was shot digital (on the ARRI ALEXA LF and Mini LF), then was transferred to 35mm…
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RED V-Raptor shooters revealed unwanted artifacts of a line from top to bottom that appeared in their footage. It gave the impression that this line is the split of the stitched sensors…
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Unconventional cinematography for an unconventional story can be used as a logical approach to craft a cinematic sitcom. “We Are Lady Parts” is a sweet and silly sitcom shot by talented and…
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