Unconventional cinematography for an unconventional story can be used as a logical approach to craft a cinematic sitcom. “We Are Lady Parts” is a sweet and silly sitcom shot by talented and…
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Since the second season of Netflix’s ‘Into the Night’ was premiered a few days ago, we’d like to take this opportunity to talk about the making. The second season was shot by…
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With the availability of the new ALEXA Mini LF SUP 7.1, this would be a smart opportunity to overview and elaborate on what the ARRI ALEXA Mini LF has to offer to…
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Have you ever wondered how’s like to edit, grade, and actually work with ARRI footage? ARRI has updated its sample footage library with various formats so you can download footage with different…
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Adrift is a 6-minutes one-take short film shot with the FUJINON Premista 19-45mm T2.9. The lens was paired with the ARRI ALEXA Mini LF, on a stabilized gimbal. The execution was pretty…
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Warner Bros. Pictures has released the BTS featurette of its Mortal Kombat. Directed by Simon McQuoid and shot by Germain McMicking on the ARRI ALEXA LF and Mini LF, paired with Panavision…
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ARRI has just released a Beta version of the ALEXA Mini LF Software Update Package (SUP) 7.0. The main feature of the SUP 7 is expanding the options of shooting Super 35…
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Sky One announced that its award-winning original “Das Boot” season 3, will be shot and delivered in 8K, with the Dolby Atmos soundscape. This unprecedented technological achievement is made possible with the…
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Panavision presents its DXL2 IMAX cinema camera. Well, it’s not a new camera per se, but more a certification by IMAX, which means the DXL2 is now an approved capture system for…
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What are the reasons Ozark’s DP, Ben Kutchins, has decided to switch over to the Sony VENICE when shooting season 3 after two seasons shot extensively with the Panasonic Varicam? Thanks to…
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