Avatar 2 Insights: HFR Reduces Eye Fatigue in 3D Screening
Avatar 2 Insights: HFR Reduces Eye Fatigue in 3D Screening

Avatar 2 Insights: HFR Reduces Eye Fatigue in 3D Screening

2022-12-25
3 mins read

So, we watched Cameron’s Avatar 2, and it was gorgeous. We chose to view it in an IMAX theater with an HFR (High Frame Rate) 3D format. Our conclusion: HFR reduces eye fatigue in 3D screening.

Thoughts on Avatar 2 Trailer: Go IMAX 3D or Go Home
Thoughts on Avatar 2 Trailer: Go IMAX 3D or Go Home

Less cinematic – more immersive. That’s Avatar 2. A whole new different movie experience. And it’s gorgeous. 

3D makes a comeback

James Cameron insists on producing 3D movies. “I want people to really get in there and feel like they’re there, on a journey with these characters” he said and added: “We experience the world through stereoscopic system…visual system (we all have two eyes) and when you see stereo, it triggers regions at the brain that make you feel that you really there…. We want to take you to Pandora and feel it, and smell it, so you can go on a real journey, and 3D imaging helps with that…People want to go to the cinema and have a full experience, not 90%, but 100%.”. Well, he’s right. The first Avatar revolutionized 3D screening, as it justified the hassle of the 3D glasses during the very long movie. As for Avatar 2, you need to wear those clumsy glasses for more than 3 hours. Is it worth it? Yes, it is!

Avatar 2 BTS. Director James Cameron with the 3D camera rig, Picture: Jon Landau (Producer of Avatar)
Avatar 2 BTS. Director James Cameron with the 3D camera rig, Picture: Jon Landau (Producer of Avatar)

We don’t believe we’re saying that, but those 48 frames per second actually positively contribute to the whole viewing experience.

Avatar 2: A significant step up from Avatar 1

Avatar 2 was shot with a more advanced methodology compared to the first Avatar. The image is cleaner and sharper. There’s higher HDR, even the motion is more precise. Everything is better, imagery-wise. Furthermore, there’s a lot of HDR in 48 fps. James Cameron has said that he looked into shooting the Avatar sequels at a higher frame rate (48 fps and above) which, as he stated, takes the glass out of the window to reality. At first, he opted out of this option, saying that as groundbreaking as the format is for cinema, moviegoers have always been used to a specific way to view films (24 fps), and altering that in any way would simply take the audience out of that experience. Nevertheless, most of the Avatar 2 is screened at 48 fps, not just the action sequences. And that’s the secret sauce of the movie. We don’t believe we’re saying that, but those 48 frames per second actually positively contribute to the whole viewing experience.

The Underwater Cinematography Behind Avatar 2: 3D Beam Splitter and Nikonos Lenses
The Underwater Cinematography Behind Avatar 2: 3D Beam Splitter and Nikonos Lenses

Indeed, in our opinion, the HFR improves the feel of 3D, makes it more beautiful, and prevents eye fatigue, which is essential for a three-hour movie.

HFR to improve the 3D

In regard to the remastered version of Avatar 1, James Cameron said: “High frame rate is available; We’re using it as an authoring tool to improve some of the 3D, but we’re not just broadly applying it as a format”. Cameron emphasized that HFR was applied sparingly. “We created new 48 frames-per-second inter-frames to smooth out some of the strobing and some of the rapid cameras moves – during the viperwolf chase, the Thanator chase, things like that – to improve the stereoscopic experience”. But again, in Avatar 2 almost this whole masterpiece was an HFR. Indeed, in our opinion, the HFR improves the feel of 3D, makes it more beautiful, and prevents eye fatigue, which is essential for a three-hour movie.

James Cameron Says It’s Only The Beginning of 3D Cinematography
James Cameron Says It’s Only The Beginning of 3D Cinematography

HFR helps to mitigate eye fatigue when wearing 3D glasses, because of reduced motion blur.

Mitigate the 90 minutes limitation

James once said that 10 years ago, there was a limitation regarding the duration of 3D movies which were limited to 90 minutes. That was because of the 3D glasses. The studios’ thoughts that moviegoers would feel uncomfortable wearing 3D glasses for the entire movie. However, they were wrong. According to Cameron, when the movie is good and immersive, the audiences forget about wearing those 3D glasses. That broke the time limitation which allowed the expansion of the duration of the 3D movies to more than 150 minutes. Moreover, besides the story, HFR helps to mitigate eye fatigue when wearing 3D glasses, because of reduced motion blur. As for the cinematic look derived from 24 fps, HFR balances that allowing the audiences to feel more comfortable and immersed during the long movie. BTW, explore this new BTS video of avatar 2: 

Conclusion

If you want to watch a movie in 3D, choose HFR, and vice versa. It seems that this combination will grant moviegoers that optimal experience. HFR reduced eye fatigue by making the motion more natural and realistic. As for the 3D, it takes the un-cinematic look derived from 48 fps and makes it more immersive. Less cinematic – more immersive. That’s Avatar 2. A whole new different movie experience. And it’s gorgeous, especially on IMAX 3D HFR.

If you’re a fan of filmmaking and want a very special gift, you should check out our super unique Y.M.CINEMA 65 which is a one-of-kind stainless steel model of motion picture 65mm film cinema camera. It was meticulously designed and manufactured by us, and with a pure love for motion pictures. The Y.M.CINEMA 65 can be purchased at our 65 STORE (free shipping to the US), or on AMAZON, for a modest price of $34.95 USD.

Yossy is a filmmaker who specializes mainly in action sports cinematography. Yossy also lectures about the art of independent filmmaking in leading educational institutes, academic programs, and festivals, and his independent films have garnered international awards and recognition.
Yossy is the founder of Y.M.Cinema Magazine.

Leave a Reply

Your email address will not be published.

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

Get the best of filmmaking!

Subscribe to Y.M.Cinema Magazine to get the latest news and insights on cinematography and filmmaking!

DaVinci Resolve for iPad is available for (FREE) Download
Previous Story

DaVinci Resolve for iPad is Available for (FREE) Download

Canon Presents New 5.7K 60fps Full-Frame Global Shutter CMOS Sensor
Next Story

Canon Presents New 5.7K 60fps Full-Frame Global Shutter CMOS Sensor

Latest from Discuss

ARRI ALEXA 265: FAQ & Sample Footage and Concept

ARRI ALEXA 265: FAQ, Sample Footage and Concept

Introduction The ARRI ALEXA 265 marks a groundbreaking addition to the world of high-end cinematography. Featuring a compact structure armed with state of the art ALEV 3x medium-format sensor, the ALEXA 265…
Would You Like a Fixed Lens Medium Format Camera?

Would You Like a Fixed Lens Medium Format Camera?

Analyzing Fujifilm’s bold step into a niche within a niche: Fujifilm has been steadily carving out a space for itself in the medium format market, offering an alternative to traditional full-frame options.…
Go toTop

Don't Miss

The Best Film Cameras for 2024: ARRICAM, ARRIFLEX, and IMAX MSM 9802

The Best Film Cameras for 2024: ARRICAM, ARRIFLEX, and IMAX MSM 9802

In the digital age, where cameras and workflows are often dictated by convenience and technological advancements, the allure of shooting on film persists…
Behind the scenes of Gladiator II. Source: Paramount Pictures

Behind the Lens of Gladiator II: Ridley Scott’s Cinematic Evolution

Gladiator II, Ridley Scott’s highly anticipated sequel, brings together the grandeur of its predecessor and the innovations of modern filmmaking. With a reputation…