In a landmark moment for the film industry, the American Society of Cinematographers (ASC) has elected Mandy Walker, ASC, ACS, as its new president—the first woman to hold this role in the organization’s 105-year history. The announcement has reverberated far beyond the ASC’s historic Hollywood clubhouse, marking a pivotal shift in the traditionally male-dominated world of cinematography and reinforcing the society’s growing commitment to inclusivity, education, and the advancement of visual storytelling.

Mandy Walker – First Female President of the ASC

Outgoing ASC President Shelly Johnson passed the baton to Walker with “a warm heart,” recognizing both her professional excellence and her potential to further elevate the Society’s mission. “It is a great honor to be the president of the ASC, and an even bigger privilege to be the first woman to hold the position,” Walker stated. “I’m humbled to take on the responsibility of representing a society that has carved out an inspiring, inclusive space to meet and support other cinematographers.” Walker’s historic appointment is not a standalone milestone—it is the culmination of decades of trailblazing work behind the camera. With a career spanning over three decades, Walker has shaped the visual language of cinema across a wide array of genres. Her extraordinary work on Baz Luhrmann’s Elvis (2022), for instance, not only garnered her Oscar and BAFTA nominations but also shattered long-standing barriers by making her the first female cinematographer to win an AACTA Best Cinematography Award—a first in the award’s history.

The cinematographer behind Elvis

Her visual mastery in Elvis was achieved using specially engineered Panavision lenses, designed to reflect the spirit of the King of Rock ‘n’ Roll. As detailed in the article Elvis Shot by Cinematographer Mandy Walker on Panavision “Elvis” Lenses, Walker’s ability to blend classic Hollywood aesthetics with contemporary energy played a key role in the film’s success. Her innovative approach has made her a trusted collaborator to filmmakers like Luhrmann and an industry leader in cinematic craftsmanship. Walker, who became an ASC member in 2011, has an impressive portfolio that includes Australia (2008), Hidden Figures (2016), Mulan (2020), and the upcoming Snow White (2025). Beyond her feature work, she’s helmed high-end commercial projects like the iconic Chanel No. 5 campaign, further cementing her status as one of the most versatile and respected cinematographers in the field.

I am intent on making sure our members have the space to grow, the opportunities to educate and learn from one another, and the support of their fellow filmmakers to carve out the best career they can. We will continue to lead efforts in raising awareness about the importance of representation behind the camera.

-Mandy Walker ACS ASC

ASC’s commitment to the next generation of filmmakers

The ASC’s commitment to the next generation of visual storytellers is underscored by recent initiatives, including the launch of ASC: A New Educational Resource for Filmmakers. This expansive platform offers insight, mentorship, and masterclasses led by ASC members, bridging the gap between aspiring cinematographers and the industry’s elite. With over 20 committees, including the Vision Committee, the Motion Imaging Technology Council (MITC), and the Education & Outreach Committee, ASC is more than a society—it’s a movement. Founded in 1919, the ASC has long been a beacon for excellence in cinematography, with 471 active members from over 20 countries. While its core values of artistry, education, and innovation remain intact, the leadership transition to Walker signifies a profound evolution: from a fraternity of film veterans to a dynamic, inclusive collective of storytellers.

Final shot