When you mix 40 world records, 1,000 players, and a $5 million prize pool into a single show, the outcome is bound to be extraordinary. Enter Beast Games, now streaming on Amazon Prime Video, where the sports genre meets cinematic magic. The star of the production? An unconventional army of ARRI cameras, including AMIRA, ALEXA Mini LF, and ALEXA Mini. With such a formidable lineup, we’re left asking: how many ARRI cameras does it take to make sports look this good?

Created by Jimmy Donaldson, Tyler Conklin, Sean Klitzner, and Mack Hopkin—this record-breaking reality show brings a whole new dimension to entertainment. Congratulations to series cinematographers Jason Elliott, Russell Leggett, and Peter Vidulich, along with the entire crew, for their outstanding work in bringing this incredible show to the screen. But let’s not forget the unsung heroes: the editors.

The Bravery of Cinematic Vision

Producing a show like Beast Games isn’t just about setting up cameras and hitting record. It’s a test of creativity, technical expertise, and, frankly, a touch of insanity. The cinematographers behind this spectacle embraced an unconventional vision: making sports look cinematic in ways never attempted before. By wielding high-end cinema cameras—typically reserved for blockbuster films—the team delivered an immersive visual experience that rivals the dramatic flair of Hollywood.

ARRI Cameras: The Cinematic Arsenal

ARRI’s cameras have long been synonymous with cinematic excellence. From the compact and versatile ALEXA Mini LF to the robust AMIRA, these cameras offer unparalleled image quality and reliability. The production team for Beast Games employed these tools to push the boundaries of sports broadcasting. Whether capturing the sweat-drenched intensity of players or the roaring enthusiasm of the audience, ARRI cameras brought a dynamic range and visual depth rarely seen in live sports coverage.

A Cinematic Revolution in Sports

This isn’t the first time ARRI cameras have turned heads in the sports world. Let’s rewind:

• The World Karate Championships: Three ARRI AMIRA cameras paired with Fujinon and Canon PL lenses elevated this martial arts event into a visual masterpiece (source).
• Football Games with Fujinon’s Beastly Lens: The AMIRA teamed up with the Fujinon Duvo 25-1000mm lens to deliver jaw-dropping football broadcasts (source).
• The Orchestral Spectacle: Cinema cameras brought a new layer of sophistication to a live orchestra performance, proving their versatility in capturing dynamic live events (source).

Why Sports Deserve Cinema Cameras

Sports broadcasting is evolving. Fans don’t just want to watch; they want to feel like they’re on the field. ARRI cameras deliver this by creating a sense of immersion that standard broadcast cameras can’t match. From the dramatic shallow depth of field to the exquisite color rendition, these cameras make every moment—whether it’s a touchdown, a knockout, or a game-winning goal—feel larger than life. As explored in this article, cinematic sports broadcasting is no longer just a novelty; it’s a necessity. Events like Beast Games showcase how high-end cameras can transform sports into an art form, blurring the lines between entertainment and storytelling.

The Countless ARRI Cameras of Beast Games

While we can’t give you an exact count (it’s somewhere between “a lot” and “too many to count”), what’s clear is the audacity of this production. It’s a testament to the bravery of cinematographers willing to break conventions and elevate sports broadcasting into the realm of cinema. By leaning on ARRI’s industry-leading technology, they’ve set a new standard for how we experience sports. Created by Jimmy Donaldson, Tyler Conklin, Sean Klitzner, and Mack Hopkin—this record-breaking reality show brings a whole new dimension to entertainment. Congratulations to series cinematographers Jason Elliott, Russell Leggett, and Peter Vidulich, along with the entire crew, for their outstanding work in bringing this incredible show to the screen. But let’s not forget the unsung heroes: the editors. Imagine sifting through mountains of footage—dozens of angles, slow-motion shots, and crowd reactions—and turning it into a cohesive story. It’s an Olympic-level task of patience and precision, and their work ensures the cinematic vision comes to life. Hats off to the editorial wizards who make it all possible! So, next time you tune into a mega event like Beast Games, take a moment to appreciate the army of ARRI cameras, the fearless cinematographers behind the lens, and the tireless editors who weave it all together. They’re not just capturing the action; they’re crafting a visual masterpiece that’s rewriting the playbook for sports entertainment.

And for the record… can YOU count how many ARRI cameras were used?