Poor Things is one of the most interesting films regarding its cinematography. The film was shot on ARRICAM LT and ST, paired with modern and old rehoused glass – TLS Petzval. Here…
Interestingly but not surprisingly, the acclaimed director Martin Scorsese has used a very special combination to shoot the masterpiece ‘Killers of the Flower Moon’. The movie was shot by his cinematic partner,…
Film cameras strike big time as it seems that DP chose celluloid to shoot the Oscar 2024 (96th Academy Awards) contenders. The most used camera is the ARRICAM (LT and ST) which,…
As a part of his Oscars 2024 winning speech, Oppenheimer’s cinematographer – Hoyte van Hoytema, advises filmmakers to shoot on film. “It’s much easier than you think,” he says. What do you…
IMAX has just released the Twisters (1996 Twister’s sequel) trailer, and it looks awesome. The Twisters movie was shot by legendary Dan Mindel ASC, BSC, SASC purely on film (ARRIFLEX 435, ARRIFLEX…
Like we did with the cameras, now it’s the lenses’ turn. We made a chart with the lenses used to shoot the Oscars 2024 (96th Academy Awards) Best Picture and Cinematography nominees.…
Now, that we have the list of nominees, we can explore the cameras and lenses that shot Best Picture and Cinematography contenders for the 96th Academy Awards. There’s a solid presence of…
The ALEXA 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from ARRI is among the most popular cameras chosen by Sundance 2024’s filmmakers.…
How does the ARRI ALEXA 35 perform against the Sony FX6? Well, it’s not a real match, just a fun comparison made by Linus from ShortCircuit. That’s a cool piece for those…
Atlas announces a price increase for some lenses in the Orion series. For 40mm, 50mm, 65mm, 80mm, and 100mm Orion Series focal lengths, single lenses will increase to $9,995 each (from $8,999).…